Hiroshi Inagaki
Live action documentary footage of a concert by the Kodo drummers of Japan at the Acropolis, Greece, in 1995, with commentary by members of the drum group concerning the concert and the drum troupe
Bison, the ruthless leader of the international terrorist organization Shadowlaw, has been desperately searching for the greatest fighter on the planet for years. He finds it in Ryu, a young wanderer who never stays in one place long enough for Bison to find him. He does, however, get a fix on Ken Masters, an American martial arts champion who studied with Ryu as a child under the same master. Meanwhile, Major Guile of the United States Army is forced to team up with Chun Li from China in hopes of apprehending Bison and putting a stop his international ring of crime.
In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set on stealing shogunate gold that's soon to come over the pass. When the Ronin's assignment becomes clear, to help the gang, he's ordered to kill the inn's residents, including a woman he's rescued from an abusive husband. He's reluctant to murder innocent people; then he learns that the gold shipment is a trap and he's part of a double cross. How he sorts through these divided loyalties tests of his samurai honor, and perhaps of his love for a woman.
Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?
Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.
Sasaki Kojiro tells the story of the genius who staked his love, glory, and life on a duel with the supreme master of the sword, Miyamoto Musashi (Tatsuya Nakadai). Oscar winning Hiroshi Inagaki directs this epic motion picture based on Genzo Murakami’s fascinating story. Despite his humble birth, the orphan Sasaki Kojiro (Onoe Kikunosuke) is determined to become the foremost swordsman in all Japan, a title that traditionally belongs to a nobleman. At fencing school, young Kojiro receives the contempt of his classmates because of his superior swordsmanship. When rumors of the upcoming civil war between Toyotomi and Tokugawa clans spread, Kojiro leaves the school and sets out, seizing every opportunity to realize his dream.
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
Set at the end of the Siege of Osaka this film follows the exploits of several members of the defeated Toyotomi clan as they cope with the post battle chaos and the persecution of the Shogun's army. Five samurai decide on different fates when it becomes clear that their side is being destroyed. One wants to attack the enemy head on in a final honorable death. Another decides to commit hari-kiri but wants to find a glorious view to do it. His close friend, the "coward", just wants to run and give up the life of a samurai. The final two set their own castle on fire to garner favors from the enemy and therefore avert their own death during the massacre of all defeated soldiers as
This Japanese action-adventure is set in the 17th century when all forms of swordplay were banned. One fighter, an excellent swordsman believes the law is unfair. His brother keeps his opinions about the law to himself. The swordsman vents his frustration by cutting off the thumbs of an enemy. The fighter is then banished. To live, he becomes a thief. To restore the family's lost honor, the other brother is forced to challenge the fighter to a duel.
The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
Gen is a lonely orphan boy. His sole sense of companionship comes from an imaginary friend, the god Prince Fudo-Myo. Prince Fudo-Myo comes to the boy's rescue in times of difficulty.
A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.
The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
The story of Muhōmatsu, a rickshaw man who becomes a surrogate father to the child of a recently widowed woman. 1958 remake of a 1943 film (same title, same director)
In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them.
With one of the busiest film industries in the world, Japan was able to submit several films into competition at the 1957 Berlin Film Festival. One of the best of these was Arashi, directed by Hiroshi Inagaki of Rickshaw Man fame. Anticipating Hollywood's Table for Five by nearly a quarter of a century, the film concerns the efforts by a recently widowed high-school teacher to raise his four children alone. Chihu Ryu is terrific as the central character, while Izumi Yukimura is even better as Ryu's eldest daughter. For reasons unknown, Arashi is often omitted from "official" lists of Inagaki's films.
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.
Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.
Every year, at the festival, familiar merchants such as Toraemon, a magic trick, Tokubei, a blowgun, Kaji, acrobatics, and Unsaibo, a ritual, gather toward the port town.
Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.
Gensaburo Funaki and Oyuki were childhood friends, but Gensaburo misunderstood that Oyuki was hesitant to get married because he had to feed his father and younger brother. I left the town.
Director Hiroshi Inagaki's early version of the life and death of famed swordsman Sasaki Kojiro.Otani Tomoemon gives a brilliant performance as Sasaki Kojiro, who rises from humble beginnings to national fame, and a young Toshiro Mifune appears as the legendary master swordsman Miyamoto Musashi for the first time and essentially sets the standard for future portrayals.This masterpiece is based on the original story as written by noted author Murakami Genzo and is far superior to any other versions. Following Kojiro from his earliest days through his fateful meeting with Musashi, this movie is filled with exciting and dramatic moments culminating in the best version of the final duel ever seen on film.
Though less well known than Susumu Hani’s celebrated 1963 remake, Hiroshi Inagaki’s Children Hand in Hand is nonetheless a heartbreaking portrait of childhood kindness and cruelty—and, by implication, conflicted ideals of masculinity—centering on a small-town boy with a learning disability who attempts to fit in with his classmates.
During the Taiping Rebellion of the mid-19th century, anti-Qing (Manchu) Chinese forces led by Taiping commander Li Xiucheng march on Shanghai. Although the Western powers are officially neutral, the British consul in Shanghai sides with the Qing imperial government, and counter to his own government's policy he retains American adventurer Frederick Townsend Ward to raise a mercenary force of foreigners in Shanghai and oppose the Taipings. Ward's force is routed, with heavy casualties, but since many of the casualties are British, the British army soon is drawn in on the side of the Qings. The only support for the Chinese comes from Japanese in Shanghai and anti-imperialist demonstrations in Japan. A family drama plays out against this historical background. After a Chinese home is destroyed by careless British shelling, killing the father and crippling a daughter, the surviving son vows revenge but begins to see that his true friends may be the Japanese.
Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy's parents.
The life, adventures and exploits of warlord Date Masamune the One-eyed Dragon: his early youth as an aggressive warrior, the battles he won until subduing almost all his enemies, the lonely comprehension of knowing that he actually can not take over the whole country because he was born too late.
There is an inn named Asano Ya in the port town, and a beautiful woman works there. Every year, during a local festival, travelling artists and teachers gather from all over the country, including sesame oil sellers and organ grinders. The day before the festival, trouble arises with some horses.
The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.
His mother abandoned him as a child, so he had no choice but to live outside society. Even so, he grows up determined to reunite with her. Worried that she might be living in misery, he saves his money to help, only to find that she has married into wealth and social position and has no intention of seeing her outcast Yakuza son...
Date Mosui, a young samurai, one day gets a scolding from a nameless ronin that sets him thinking about what life is all about and his ways of living. His frined, Ando Kichinosuke, is alarmed at Mosui's despondency and invites him to his house as his little sister Tsuyu and he try to cheer him up.
