Horacio Garcia Rojas
Late sixteenth century. A Tameme Indian man and a noble Spanish woman flee through the forests of the New World in search of freedom. Their frantic journey softens the tension between them and dissolves their longstanding differences and creates intimate bonds that threaten their very survival.
In 1824, John McGee, an English adventurer, arrived in the Soconusco area of Chiapas with his young wife. There, they sought to fulfill their dream of prosperity and become the first producers of coffee. Upon reaching Chiapas, they discovered that the state had seceded from the rule of Guatemala, plunging into an interim and anarchic government that lasted for 18 years. During this time, John saw his dream frustrated and was forced to seek refuge at his own farm under the protection of the clergy. The dowry of his daughter Isabel becomes his last chance to make his dream come true, as he negotiates with Geronimo and Julian, sellers of coffee plants and slaves, respectively. In the midst of the beauty and hostility of the jungle, a story of love and betrayal emerges, framing the arrival of coffee to Chiapas.
A Mexican boy bound for Chicago tries to cross the border, but is the crowded wagon he rides in going the right way? An offbeat, allegorical odyssey that blends absurd humor with pastoral imagery. A young man and a dead man journey north through a subtly surreal desert landscape, picking up a wagonful of odd characters as they go in this darkly humorous satire of contemporary Mexico. Written by TIFF LAFF
Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana tricks her fresh-from-prison sister, Aurora, and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
In the time of the Aztec Empire, Yohualli Coatl – a young Aztec boy – experiences tragedy when his father and village leader, Toltecatzin, is murdered by Spanish Conquistadors. Yohualli escapes to Tenochtitlan to warn King Moctezuma and his high priest, Yoka, of imminent danger. Using the temple of Tzinacan, the bat god, as a lair, Yohualli trains with his mentor and assistant, Acatzin, developing equipment and weaponry to confront the Spaniard invasion, protect Moctezuma’s temple, and avenge his father’s death.
A narco kingpin escapes from a high-security Mexican prison with his son and finds refuge at a remote drug rehab facility located on the U.S. side of the border where they encounter deadly mutant zombies.
A sidewalk, beer, and a farewell. Three old friends realize that none of them is where he thought to be.
Young, uptight English writer Henry’s novel is a resolute failure. He is delighted to find out his book is a surprise hit in Mexico but when he is invited there to promote it, he soon discovers why: his Spanish translator Maria has rewritten his dull book as an erotic novel. Henry is furious, and even more so when his publisher insists he and Maria conduct a book tour across Mexico together. Opposites attract and the chemistry between the couple ensures sparks fly.
Waiter #2 is the character of a movie who interprets himself and becomes self-aware. Sarah is a kleptomaniac with a fond for kid's bicycles trying to overcome her sickness. Sami is a mascot costume who discovers contemporary dance and desires to become a professional dancer. Lazarus enjoys watching people die, since he was resurrected 2000 years ago and became immortal. These characters reunite in a drugsture to find the meaning of life.
