Hrishikesh Mukherjee
Sandeep, a doctor, meets Devan, who is a dying patient. He gets inspired by Devan and decides to give him the best in his last few days.
Abhyankar (Amrish Puri) is an orthodox head of his family, a retired police officer, he has values which he wants his family to also uphold.
This movie proves that speaking truth is not always the right thing to do!!! As the title suggests that the movie is about a female (Rekha) who is a liar, and it is this female who shows how much lying can be a worthy quality. Nice movie with some good comedy. As in all Hrishikesh Mukherjee, the setting is a simple middle class family with ordinary existence. It is totally wonderful to see how Hrishikesh Mukherjee finds stories amongst all of us. Truly a mastermind.
Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
When two twin brothers Sudhir and Adhir get orphaned upon the death of their father, Magistrate Chaturvedi adopts them and brings them up like his own children. Though Adhir goes insane after the death of his father, Sudhir picks up the opportunity, studies hard and becomes a doctor like Magistrate Chaturvedi's son Prashant. When Prashant gets caught for performing an illegal operation, Sudhir takes up the blame to repay the debt of the Chaturvedi family on him and his brother.
Ramprasad is appointed as a house-keeper for Bhavani Shankar Bajpai's ancestral home, won after a hard-fought legal battle. Ramprasad wants to marry Kusum but cannot as he doesn't earn enough or has a decent place to live. Circumstances change and Kusum and her father come and live in the Bhavani Shankar's ancestral home. Bhavani Shankar, his brother and Bhavani Shankar's manager come one by one to evict the trespassers and are infatuated by Kusum. Ramprasad somehow manages to deal with all of them and marries Kusum after assurances to better pay and a nice place to live.
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household
Ramprasad a recent college graduate who finds a job with a finicky man, Bhavani Shankar, who believes that a man without a mustache is a man without a character. When Ramprasad is caught by his boss at a soccer match, he has to invent a twin brother, the clean-shaven Laxman Prasad, to save his job, things take a whacky turn.A fake mother and a hilarious chase are enjoyable features in this comedy.
Amitabh Bachchan plays a rich playboy who makes a bet with his friend, Vinod Mehra, which costs an innocent girl, Rakhee Gulzar, her honor. Kicked out by her father, she flees and makes a new life for herself as a singer. It takes two hours to straighten out the misunderstanding, obtain forgiveness from her father and finally reunite a reformed Bachchan with his heroine.
Arjun Pandit is a 1976 Hindi movie starring Sanjeev Kumar, Ashok Kumar, and Vinod Mehra, and directed by Hrishikesh Mukherjee. Bindu, Deven Verma, Sachin, and Keshto Mukherjee play other roles in the movie. The film's music is by Sachin Dev Burman.
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
Mischievous botany professor Parimal Tripathi plays a little trick on his brother-in-law Raghav. Jealous of the high esteem in which his own wife, Sulekha, holds the other man, Parimal decides to impersonate Raghav's new driver. Laying the groundwork for a series of hilarious misunderstandings, the disguised professor throws doubt on his wife's fidelity and gets his best buddy, Sukumar, to help out by impersonating Parimal.
Sapna, the daughter of a wealthy businessman likes Rajesh, a simple man. Her father wants her to marry Randhir, a notorious womanizer and drunkard. Will Sapna ever accept Randhir?
Somnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills in his father's shoes, has a confrontation with a senior employee and union leader, Bipinlal Pandey, which results in a strike.. Damodar starts a chain of events that get out of control, events that may well see the death of one of the friends at the hands of the other. Will Vicky's and Somu's friendship see them through or will it also be a casualty?
Subeer Kumar (Amitabh) is well on his way to becoming India's top pop singer. He has no intention of getting married, but when he goes to visit his Durga Mausi (Mausi=mother's sister), he falls in love with religious, simple Uma, by whose voice he's enchanted. He marries her and returns to Bombay where he announces that he will never sing without Uma again. However, Subeer encourages Uma to sing alone and when her popularity is soon greater than his own, the seed of jealousy begins to grow... The major difference between Uma and Subeer is that she sings for herself, whereas he sings for the public. It is the difference between geet and sangeet. This is the root of the thing that later causes problems, and based on which the movie is named.
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
Two unemployed slackers, Bhola and Ajay come across a newspaper advertisement about a missing elderly gentleman, whose estate is worth millions. They come across this male in the Hanging Garden Park in Bombay, and decide to make him their paternal uncle and take him to live with them in a rented apartment, which they cannot afford. This elderly man, Girdharilal takes an unusual interest in Ajay's girlfriend, Deepa. While Bhola and Ajay try to find ways and means of getting rich by turning Girdharilal in, a number of horrific homicides are committed, all against former business associates of Girdharilal, and the clues all point toward the hapless duo.
Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.
Circa British Rule in India, Satyapriya Archarya lives a modest yet noble lifestyle with his grandfather, Satyasharan. His mother passed away while he was very young, and his dad became a celibate and went off on a pilgrimage, never to return. Satyapriya studies Engineering, and becomes a close friend of fellow-collegian
Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.
Manu is the princely heir to the kingdom ruled over now by Ranimaa. He likes to know what his going on, and changes his princely get-up, and dresses up as an ordinary man, and goes around the territory. He meets up with gorgeous Bijli, and both fall in love. When Bijli introduces him to her dad, he identifies himself as Badal. Then he notices that soldiers from his palace are molesting the young women from this community. After his return to the palace, he finds out that the soldiers had been acting on the orders of Kunver Pratap Singh, and he immediately puts a stop to this. This angers Pratap Singh, and he plans to avenge this humiliation, with a plan so devious that will endanger the lives of Manu, the Ranimaa, as well Bijli and the people in her community.
This marked the final film appearance of Guru Dutt who died later in the year of the film's release.
Renu lives a poor lifestyle with her family. Shattered and devastated with the deaths of her father and brother, Renu decides to take up the mantle of feeding her family, hiding her dad's death from her ill and fragile mother, and goes along pretending that her father is still alive. Things brighten up when a homeless young man, Anand, enters her life, both fall in love with each other and want to get married. But once again fate plays a cruel joke on Renu as she subsequently finds out that Anand is not who he claims to be, but is in fact, a playboy, the grandson, nicknamed 'Prince", of one of the wealthiest man in town, Dwarkadas, and Anand is scheduled to get married to Rekha - the only heir to a multi-million rupee estate. Watch as events unfold and the effect this news has on the townspeople and Renu's mom.
Memdidi tells a simple and endearing story of Mrs. Roy (Memdidi), who moves in as a new neighbor to the two local tough guys, Bahadur Singh (David) and Sher Khan (Jayant), with a heart of gold. Hrishikesh Mukherjee's direction and screenplay makes this movie a gem and worth watching again and again.
There are moments in our lives when our whole being is put to the test. Our ideals, our ambitions, are forgotten and we crave for escape. Escape into our world of dreams. And such is Anuradha's (Leela Naidu) story. The daughter of a rich man, she has everything she desired, yet she goes on to marry Dr. Nirmal Chowdhary (Balraj Sahni), an idealistic doctor, who wants to serve the poor in the villages of India. Later when she is shown what she is missing by living with this poor doctor, she has to make the choice. The choice of her life or her love.
Raj Kumar is an honest, handsome and intelligent young man. He works as a sole trader and being a painter trade, he is unable to earn a living and unable to pay rent to his kind-hearted but talkative landlady Mrs. D'sa. One day Raj finds a wallet containing money and returns it to the owner Mr Ramnath. Ramnath admires Raj and pleased with his honesty, employs him to work in his office as a clerk. Raj meets with Ramnath's maidservant Asha and soon both fall in love.
Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.
Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
An impoverished man and his young son travel to Bombay and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
