Hubert Niogret
Documentary about Duvivier's Deadlier Than the Male.
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.
In Paris, a young Argentine screenwriter attempts to escape his daily routine through a fictional story set in Argentina. This attracts the attention of those around him, including Alice, a young actress. But his story gradually escapes him and he becomes inextricably entangled in dreams and reality.
An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.
This somber drama chronicles the writings of Paltiel Kossover (Michel Jonasz), a Rumanian Jew who was incarcerated in a Stalinist prison. Zupanev (Erland Josephson) is a sympathetic court registrar who smuggles the documents and later presents them to the poet's son Grisha (Vincent David).
Brazilian multi-instrumentalist, composer and maestro, Paulo Moura, talks about his influences and show his passion for the samba.
A brief history of origins of brazilian carioca samba and its types.
Gilberto Gil talks with friends and share his thoughts, influences and reveal his impact on brazilian music and vision of the black people.
Noel Burch’s fascinating and well-made (if at times historically contestable) six-part BBC television series, about early silent cinema in Denmark, England, the Soviet Union, France, Germany, and the U.S., mixes beautiful clips of rare films with various social theories about their significance.
Sun Ra, Archie Shepp and company in concert in Paris, 1984. Documents performances and rehearsals in Paris, France, 1984. It includes the compositions "Love in Outer Space," "Nuclear War," and "1984" by Sun Ra and the standards "Tea for Two" and "Blue Lou," as well as interviews with Sun Ra and Archie Shepp.
A charming tale of murder, perversity and narrative echoes told through shots of barking dogs and a La jetée-like series of stills.
A middle-aged man travels to France and is discouraged by the attitudes of the people concerning his native land until he meets and begins relationships with two lonely women.
French filmmaker Claude Miller's This Sweet Sickness is based on a suspense novel by Patricia Highsmith, of Strangers on a Train fame. In the original, the murder-protagonist was a psychotic, pure and simple (if such words are appropriate here!) In Miller's version, the "hero," David, is a pathetic creature, motivated by humiliation and sexual inadequacy; thus the emphasis is not on his heinous crimes but on his warped personality. The director's noirish decision to stage much of the action in the dark, or the rain, or both, is a function of David's deep depression. As in his other films, Miller uses water as an omen of evil; you've seldom seen a more foreboding swimming pool than the one in This Sweet Sickness. The film was originally released as Dites-lui que je l'aime.
Eric (Corin Redgrave) is a novelist whose imagination is unusually powerful. While exploring a run-down mansion in the French countryside, looking for sites for his stories, he meets a girl dressed in clothes from another time. Returning to the site, he encounters a modern woman who says he probably met a ghost. He is fascinated by the situation which cannot be what it seems.
Philippe Noiret plays a rich, Parisian banker whose daughter, Carolina, is kidnapped by a ruthless organization. They threaten to have her abused by the sadistic clients of a brothel they run if Father doesn’t pay the ransom on time.
A young woman is questioned by the police and the judges, suspected of being a modern witch. The girl who shared her apartment has been found dead, and a pair of scissors impaled through her heart, as she lay attached to the bedposts. Apparently, the girl does have powers, to make all people around her fall prey to her spell, glissing progressively into desire, lust, and the unknown.
