Hugo Carvana
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Chico Buarque is a constant presence in Brazil's art scene and makes up its citizen's popular culture. This wealth in music, poems, theater and novels has been created over the last 50 years and in this film Chico Buarque converses about his memories, shows, daily life, work methods, creative process, in summary all his trajectory. The musician’s search for his German brother, whom he never got to meet, serves as one of the axis for the narrative.
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Once evicted, our heroes House of Mother Joan 1 followed different paths. PR again invest in rich crowns, Joey decided to take a sabbatical in search of the perfect cannabis and Mountain finally wrote a successful book and enriched. Today he lives in an old mansion and will receive their friends. Novalmente meeting, the three will live hilarious situations.
Giovanni Improtta is an offender who want to legalize and ascend socially. To this end, commit some offenses. Is betrayed in the crosshairs of the media and the police, under a wrongful murder charge difficult to be resolved through legal means.
Lalau (Gregório Duvivier) viaja pelo interior do Brasil se apresentando com um show de piadas. Seu pai, Ramon Velasco (Tarcísio Meira), também é um comediante do show e empresário do filho. Certo dia, Lalau recebe uma proposta milionária para usar seus talentos e fingir ser um famoso Guru em uma palestra motivacional. Em nome da grana, ele aceita a proposta rapidinho mas algo não dá certo e Lalau precisa mais uma vez da ajuda de seu pai que, nas situações mais complicadas, solta o velho bordão: "Não se preocupe, nada vai dar certo".
The project '5 x slum, now by ourselves' gathered over 80 young people from Rio's favelas (slums), selected through workshops, script and filmmaking techniques to create a feature film consisting of five stories that reflect different facets of the daily lives of residents of these communities - with the promise of escape stereotypical representations.
Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!
Ex-cop Vieira is involved in the death of his lover , a prostitute who works in the streets of Copacabana, Rio de Janeiro. After her death, some strange things started to happen and Vieira is harassed at the same time by the police and some old bad guys from his past. Meanwhile, he is seriously involved with a young and pretty prostitute named Flor.
The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martim Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."
Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.
In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Como uma Onda is a Brazilian telenovela that was produced and aired by TV Globo from November 22, 2004 and June 18, 2005. Featured Alinne Moraes, Ricardo Pereira, Henri Castelli, Herson Capri, Maria Fernanda Cândido, Kadu Moliterno, Joana Solnado, Hugo Carvana, Laura Cardoso and Mel Lisboa in the lead roles.
Celebridade is a Brazilian telenovela that was produced and aired by TV Globo from October 13, 2003 to June 26, 2004, totaling 221 chapters. Featured Malu Mader, Marcos Palmeira, Cláudia Abreu, Fábio Assunção, Marcio Garcia, Deborah Secco, Juliana Paes, Marcelo Faria, Alexandre Borges, Júlia Lemmertz, Nathália Timberg, Bruno Gagliasso, Hugo Carvana, Nívea Maria, Juliana Knust and Deborah Evelyn in leading roles.
God decides to take a vacation, but first He has to find a saint who can rule the universe while He's away. So He goes to the Northeast of Brazil, where He believes there's a very good man for the job. As soon as He comes down to Earth, a young man comes along to help on His quest.
Apolônio Brasil was a cult pianist who used to play in nightclubs in Rio de Janeiro, in the 1950s and 1960s. Quite a character, Apolônio was loved by women, idolized by his audience and friends, besides being extremely high-spirited and charming. For all that, his brain is removed after his death and becomes the center of a dispute among an American scientist, Dr. Bóris, who wants to study it, his friends and his son Paluca. The film is an attempt to pay homage to the nightlife in Rio de Janeiro of the 50s, and to the "chanchada" a genre of musical-comedy typically Brazilian. - Written by [email protected]
A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.
O escritor Sílvio Proença precisa embarcar para São Paulo, a fim de divulgar seu novo livro. No aeroporto, encontra um grupo de velhos companheiros. Com o embarque cancelado devido à uma forte tempestade, o grupo segue para o apartamento de Marialva, filha de um dos amigos de Proença. Seduzido pela música e pelos encantos de Marialva, Proença passa a noite ali mesmo, onde desperta no dia seguinte, completamente nu. Ainda zonzo da ressaca, vai apanhar o pão deixado à porta do apartamento; é quando o vento fecha a porta e deixa-o nu do lado de fora.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
The series tells the story of a criminal investigation into the murder of businessman Paulo Gomes de Aguiar at the beginning of August. In the midst of the Vargas government crisis, the murder case is taken by police commissioner Alberto Mattos, an honest and incorruptible man who is not well regarded by his co-workers, as the place is totally turned over to corruption.
Exiled in Acapulco, the bon vivant Dino cheats a rich widow into financing his coming back to Brazil. To avoid getting caught, he hides in a coffin. His fake burial is celebrated in high style and it doesn't take long before he starts getting himself into weird situations.
A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.
The movie shows the life of brazilian actress Leila Diniz, who dies in a plane crash.
Little Indian boy survives his tribe massacre, growing up together with his wish for revenge and his quest for his own identity. Based on a true story.
A senator having contacts with illegal betting activities is killed by the man who is his right arm, who wanted to get his position. But the power structure resents this disturbance and can fall apart, specially since there's a witness.
A small town girl, who's an aspiring singer, tries to make a living out of music in the big city of Rio de Janeiro.
A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro. Among its costumers, we find Ana, an actress, and her husband Zeca, a writer in crisis about his work.
Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.
A woman runs away in the company of her daughter, the ultimate brat, in a journey full of bizarre events.
Paulo Otávio is the host of a pirate radio station on the slums of Rio de Janeiro. He struggles to mantain the station working, since the only help he's got comes from news reporter Calói. Their story goes beyond as the city starts to face a crime wave.
When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.
Life and death of the jesuit who fought for the peaceful relationship between colonists and Indians
An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.
After staying the day at the gym, eating and drinking, Carlos, a fat man, go meet his parents, Helena and Jorge, at the party they are throwing. He is drunk and end up having a fight and leaving home.
The painter Tino, in professional and political crisis, receives a telegram from his mother-in-law, Selma, announcing her return from Europe. After his wife's death, Tino continues living with Selma, with whom he had ambiguous relations, which he now wants to sever. Weak at this impossible love, he asks the maid Enedina to lock him in his room. There, he revives memories through letters, notes and photographs. Selma's son João is waiting for her at the airport and dreams of loving fulfillment in his own mother's arms.
Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.
Having come out recently from jail, a tramp, willing to make quick money, decides to organize a pool match between two famous retired players.
A rich, spoiled young man encounters a prostitute and gets confused about the nature of his feelings for her. He can't decide between attraction and repulsion.
Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.
On Carnival's eve, girl dreams of a man to stay with her during these four days. She meets a photographer, with whom she has an affair.
Successful manager is haunted by a sinister character who enters his dreams, Dr. Moura Brasil.
An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.
This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.
Invoking Africa’s brutally violent and complex colonial histories in the film’s polyglot, hydra-headed title, Glauber Rocha transposes his radical allegory of oppression from the Brazilian backlands of his Cinema Novo classic Antonio das Mortes (1968) to the Congolese savanna. A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.
Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
In a fictitious country, civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities because he could break world economics. But he manages to escape.
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power -- seriously compromising his own ideals and ethics in the process.
A middle-aged man builds a summer house in Cabo Frio, Rio de Janeiro. Married to a beautiful woman, father of two and successful career, the house is a symbol of his personal achievements. But as the wind, the salt and the sand threaten to invade the breaches of the house, their marriage begins to crumble. And like a bad omen, a mysterious murder takes place in the vicinity.
During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
German documentary for TV about the "Cinema Novo" movement (Brazilian New Wave). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
Luzia arrives in Rio with the expectation of a new life. In the big city, she meets Jasão, her fiance, a former cowboy, who had left the Northeast. But he pretends not to recognize her and Luzia, alone, is forced to accept the protection of Calunga, an unconcerned man for whom life is a fascinating adventure without character or remorse. After using her, he leaves her in the hands of Ignácio, to whom she asks for temporary shelter. But a reunion with Jasão awakens love again.
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
This film captures the criminal behavior of two young Copacabana thugs (the "cafajestes"). The two plan a blackmail coup against a rich old man, using nude pictures of a lady on a deserted beach. But things don't always happen as planned.
A documentary about the production of Hugo Carvana's successful film "Vai Trabalhar, Vagabundo", from 1973.
