Hyôe Enoki
A hustler who gets in trouble with a gang boss in the port town of Sukago agrees to make good with the don by putting him in contact with a mysterious hitman -- an assassin the hustler has no idea how to contact. Instead, he hires an actor to play the role, though the thespian has no idea what he's getting into.
When a gold ingot and a severed human head are discovered in a small provincial town, the rush to solve the curious case wavers between tragic and darkly humorous in this defiantly original film from Linda Linda Linda director Nobuhiro Yamashita.
Set in a five star Tokyo hotel on New Year's Eve, the film follows the misadventures of various hotel staff and guests in the run-up to midnight. The plot involves numerous characters, the different problems or situations they face in the run-up to midnight, and the ways that these different storylines interact and are resolved. The film is reminiscent of the Hollywood screwball comedies of 1930s and 1940s, and explicitly references the 1932 film Grand Hotel, whose plot also followed the interlinked lives of various characters in a fictional hotel over a short period.
Two brothers are plunged into the realm of psychic horror, one tormented by a stalker, and the other involved with a girl whose home is the site of eerie occurrences.
Two newlyweds decide to build their dream home, and hire an old friend named Yanagisawa to design it. Unfortunately, Yanagisawa isn’t licensed to build homes, so they call in the wife’s father, a retired carpenter, to help out. When Yanagisawa’s contemporary ideas clash with the old carpenter’s traditional Japanese methods, the project becomes a huge mess.
A Tokyo psychiatrist is hoping to better his career by marrying the daughter of a prominent doctor. The match is threatened however when an attractive but very troubled tourist guide comes to him for consultation...
An accidental shooting on the job and a recent divorce take a toll on the personal and professional life of a Japanese detective. Just as it seems he can't go any lower, he is suspended from the force for disregarding orders to halt his criminal investigation of a Congressman. However, even this setback won't stop the determined cop from getting to the bottom of the scandal.
Filled with guilt over his forbidden desires, a young man leaves home and his studies. He finds a new smaller place to stay, a low-paying but satisfying job and a girlfriend. Then his mother, unable to fight her forbidden desires, shows up.
A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.
After a woman is framed for the murder of her fisherman husband, she seeks out a bloody revenge on the corrupt businessmen responsible.
Naomi is a university student who is leaving for the US to study in a week; Shuichi is a washed-up gumshoe who's hired by Naomi's father to bodygard his daughter until she leaves. Shuichi finds the job annoying and wants to quit. But he also has a screwed-up ex and alimony to pay. Things go from bad to worse when Naomi and Shuichi stumble upon a murder which might involve the yakuza. They decide to find out who committed the murder but God knows what it will lead to.
A photographer who takes pictures of a rendezvous between a politician, company president and yakuza boss is later found dead and the film missing.
Mr. Harry, who suffers from a "peanut sized" penis complex, comes to Japan to undergo a genital transplant operation, the first of its kind in the world. The operation is a success but Harry soon is involved into a shady plot related to his organ donor.
The first movie of Tôru Murakawa’s “Game” trilogy, in which an assassin hired to recover a kidnap victim becomes embroiled in a vicious power struggle between two large corporations over a sizable government defence contract.
The second movie of Tôru Murakawa's "Game" trilogy. After making a sensational hit, a hitman has gone into hiding for five years. When he comes back he bumps into two women that he has spared five years ago. Two rival yakuza bosses hire Narumi to kill the other. Will Narumi's sense of chivalry entrap him again?
In historical times, the Shogun family employs a group of Iga ninjas to take over the Akizuki clan's lands. The Akizuki hire the Fumi ninjas, a group of female warriors who enhance their fighting ability with sexual magic such as the "white snake spell". When the Akizuki emerge victorious, Tsukinojo, the leader of the Fumi ninjas, marries Lord Akizuki.
Roman Porno from 1974, focusing on the daily life of lower-class individuals in the slums of Osaka.
Kyoko has been married to Keisuke three years but recently, she has this feeling that she cannot entirely trust her husband. She hires Terao, a private eye, to prove her doubts are groundless. Poor Kyoko does not seem to know that, "He who digs a pit for others, falls into it himself". The private eye and his friend call on Kyoko when her husband is out and brutally rape her over and over again. By slow degrees, she gives herself up to the sexual pleasures she feels while being brutally treated. It is a sensation she had never experienced before, little knowing who had masterminded the tortures.
The great Daimyo enlists the aid of the three Shadow Hunters in ensuring the delivery of an illegal cannon in this sequel to Toshio Masuda's bloody adaptation of the manga by Takao Saito. Despite the Shadow Hunters's remarkable skill, this mission is no walk in the park, and in order to survive they must face a relentless army of ninjas and female warriors willing to sacrifice their lives to disrupt the delivery and claim the cannon for themselves.
Scantily clad female warriors battle thieves to save a small village. Director Yasuharu Hasebe crossed the Seven Samurai legends of Shichinin No Samurai with his own popular Naraneko Rokku series and dressed it up with some of the most popular softcore pinup queens of the day.
Nikkatsu Roman Porno. Third and final film of the "Oman" series.
The directorial debut of Masaru Konuma, penned by Keiichi Ozawa using the pseudonym "Fuyuhiko Hagi". Masako is a journalist, and she is raped while researching a story. The rape causes her to develop amnesia, so her brother devises a novel way to get her memory back -- he has her boyfriend rape her again. It doesn't work, so the brother and boyfriend do more research, discovering that Masako was raped by an African-American soldier. As might be expected, they then hire a black GI to rape the poor girl yet a third time...
Rivalry between two young gangster groups who seek to extend their influence.
Yojiro orders a samurai to kill a debtor. The samurai decides not to trust the judgment of his master, which makes him an outcast and he has to flee...
Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.
The love story between a traveling guest and a geisha who inadvertently becomes the leader of her father's yakuza clan, after his death.
Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.
When Toru Sagara (Yujiro Ishihara) returns home from a foreign cargo route, he proposes to his beloved girlfriend Akiko (Ruriko Asaoka). She joyously agrees, promising a life together. On the day they were to be joined in matrimony, Akiko suddenly goes missing. Toru waits hours for her to show, but he is only greeted by the darkness of night. Four years later, his fiancée turns up at a night club in Yokohama with another man.
A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.
The Sengoku Era was coming to an end. The monopoly of the ever powerful shogun, Ieyasu Tokugawa, was at a near. Only one man was brave enough to stand in Ieyasu's way - A lone wolf samurai by the name of Kagekatsu Uesugi. Inspired by Uesugi's courage to revolt, a young samurai warrior, Touzou Kuruma decides to join the fight. Their target: the Tamonyama Castle.
On a small island, inhabited by only fourteen hundred people, a young fisherman's son, Shinji falls in love with Hatsue, the daughter of the richest and most difficult man on the island. Despite their differences in class, they begin to meet and rumors spread of them having an illicit affair. Soon after, Shinji jumps into a stormy sea to help a ship in distress. The vessel turns out to be owned by Hatsue's arrogant father, who now becomes an understanding and sympathetic parent and allows the two lovers to marry.
Sadako, cursed by generations before her and neglected by her common-law husband, falls prey to a brutal home intruder. But rather than become a victim, she forges a path to her own awakening.
You’ve probably never seen anything quite like this manic, oddball, anti–buddy picture about a young, jazz-obsessed Japanese drifter and a black American GI on the lam in Tokyo. The two outsiders become outlaws, and Koreyoshi Kurahara depicts their growing bond as an alternately absurd and tragic culture clash.
Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.
A sequel to Detective Bureau 2-3: Go To Hell Bastards!
An unofficial sequel to Million Dollar Match (1961) which also starred Koji Wada as a young energetic boxer. This story deals more with betting action surrounding a boxing match, concentrating mostly on the high-powered Yakuza gambling dens.
A high-school vigilante protects his community from the extortions of mobsters from a neighbouring city.
Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?
Jôji is a boxer barred from the ring; Saeko is a singer whose voice is gone. Lost souls, they meet one night by a quay; she may be thinking of suicide. He invites her to his café, and perhaps he will rescue her from the cabaret where she's under contract to a vicious mob leader. When the boss insists on her return, Jôji is bitter. He also despairs over lost dreams. His brother has gone to Brazil to purchase a farm; Jôji planned to join him but now believes his brother abandoned him. When Jôji discovers a clue about his brother, he needs Saeko's help. Like a fighter in the ring, he pursues the truth relentlessly, without regard for his own safety. Will it cost his life?
Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date. (source: Nikkatsu International)
Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.
