Ian Olds
After her relationship with NYPD intelligence agent Gerard ends terribly, tired and disillusioned actress Stephanie hides in a house where a band is working on a record, which proves to be less of an escape than she imagined.
About five never completed films made between 1978 and 1992 before the backdrop of the various communist regimes that came to power in Afghanistan. Scenes from these films, some of which later reused in other works, are edited together with current footage of their locations and commentaries by the filmmakers and actors involved in the productions, allowing us to dive into action films and romantic dramas that revolve around local histories and conflicts.
The Convention is about the annual Esprit conference that happens in Port Angeles, Washington, every year.
A former war journalist now writing for a paper in Northern California is drawn into conflict at home.
A look at the trials and tribulations of The Compson siblings, living in the deep south during the early part of the 20th century.
Based on the 1930 classic by Faulkner, it is the story of the death of Addie Bundren and her family's quest to honor her wish to be buried in the nearby town of Jefferson.
Director Christina Voros and producer James Franco pull back the curtain on the fetish empire of Kink.com, the Internet's largest producer of BDSM content. In a particularly obscure corner of an industry that operates largely out of public view, Kink.com's directors and models strive for authenticity. In an enterprise often known for exploitative practices, Kink.com upholds an ironclad set of values to foster an environment that is safe, sane, and consensual.
A mini-thriller comprised of TV footage of actor James Franco's guest-starring appearances on the American daytime drama, "General Hospital."
In 2007, the Taliban kidnapped 24-year-old Ajmal Naqshbandi and an Italian journalist. Naqshbandi was one of Afghanistan's best "fixers" -- someone hired by foreign journalists to facilitate, translate, and gain access for their stories.
Anton Chekhov's "The Seagull" is interpreted by a handful of top shelf stage actors from New York City as they converge in an upstate lakeside retreat. Surrounded by a menagerie of paper lanterns, circus tents, ten-foot tall puppets and floating furniture, the players merge with the reckless choices of their characters. In full view of their fellow artists as well as a wider participating audience, the performers’ most intimate impulses are splayed open and made public.
