Igarashi Kohei

Snow covered mountains in Japan. Every night, a fisherman makes his way to the market in town. His 6 year old son is awoken by his departure and finds it impossible to fall back to sleep. In the sleeping household, the young boy draws a picture he then slips into his satchel. On his way to school, still drowsy, he strays off the path and wanders into the snow...

The video technique that the current cut always reaches for the other time and space, and the link is followed, and the unique video expression of director Igarashi, where something always happens, resonates with the thrilling sound image of Boris.

December 30th, 2017. Two years before the Tokyo Olympics, due to a revision of the Constitution, a National Defense Force is created in Japan and it starts military operations. In an incineration plant, a dog goes lost, but when Tani goes looking for him, she finds nothing. In the plant, Yanais takes down the Christmas decorations and replaces them with the ones for New Year. Gou, addicted to survival games, comes to the plant during the night and starts playing video games with Ken, even if it is his day off. In the meantime, Adachi is just watching their game to kill time. However, all these men share similar problems: pregnancy, adultery, family issues and a friend who died in the war. Meanwhile, Tani, who is troubled with her immoral relationship with Adachi, begins to feel that her father, who was the plant’s manager and is supposed to be dead, seems to be around somehow.

A young couple is breaking up. Some time afterwards, the boys falls sick and asks his ex-girlfriend to come to his flat and walk their dog Nobo. She spends her last night there and contemplates the emptiness between them.