Imanol Arias
Christmas 1969: the upcoming sale of Velvet brings the former and current staff together in Madrid for good memories, a second chance and a new beginning.
Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. Part 3 in the Baztan Trilogy.
Northern Spain, October 1944. Several groups of guerrilla fighters, former Republican soldiers exiled in France after the end of the Spanish civil war, infiltrate the country in order to provoke a popular uprising against General Franco's dictatorship…
Inspector Amaia Salazar must return to the Baztan valley in order to solve a series of suicides that seem to follow a similar pattern.
It is the year 1967. After five happy years of marriage in New York with Alberto and their young son, Anna Ribera returns to Spain to take her project Velvet to the next level. She and Alberto had been managing all things Velvet from across the ocean and, together with their best friends and partners, had made a name for Velvet as the number one address in the world of fashion and innovation. Now they decide to take the next step and turn their reputation into a franchise, first at home, then abroad. The first step is opening shop in the other great Spanish city, Barcelona, on its world famous promenade, the Passeig de Gracia. There, the second Velvet Fashion Store is about to open its gates, managed by Ana's good friend Clara who had made it up the career ladder from seamstress to directorial assistant in the Madrid Velvet years.
Documentary about the life and work of abstract artist Manuel Felguérez; one of the most important Mexican painters and sculptors of the 20th century, and a benchmark of the Generación de la Ruptura (Breakaway Generation). At 87 years-old, Felguérez is a consecrated master who creates by starting from chaos, generating random shapes and spots, to later give them order and finally turn them into art.
In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.
Adolfo, a thirty something security guard, is going through a bad patch. Not only his lifetime girlfriend has just to finished with him to be a guy with no ambition but, moreover, he becomes the target of a series of thugs led by Vázquez, a dangerous criminal who has just escaped from jail. Also he discovers that his father has a double identity. He is not a farmer engaged in the production of cold meat – as Adolfo has believed all his life, but Anacleto, a secret agent who is a bit down and the man who locked Vázquez up in jail thirty years ago. Adolfo will have to leave his comfort zone and work with his father, the person that Adolfo get on worse with in the world to survive the revenge of Vazquez and while, between shootouts and chases, trying to get his girlfriend back.
Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.
Crooked cop Torrente gets out of jail in the year 2018 to find a different Spain from the one he knew.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
Bolívar was instrumental in Latin America’s struggle for independence from the Spanish Empire, and is today considered one of the most influential politicians and emancipators in American history. Libertador is told from the viewpoint of Bolívar, portrayed by Ramírez, about his quests and epic military campaigns, which covered twice the territory Alexander the Great conquered, and his vision to unify South America.
On her wedding day, Adrian, nervous, make a small mistake that aims to hide Leonora, his girlfriend, to avoid problems. But far from avoiding them, complicates the matter and the party runs the risk of end badly, like the future marriage of the couple.
Jorge and Enrique are two artist in the post Spanish Civil War times that adopt an orphan child called Miguel. With a varieté company that travel around the country, Jorge and Enrique see the horrors left by the war meanwhile the Republic Army watch Jorge and the rest of the company suspecting that some of them collaborate with the rebels opposite to the Francoist Regime.
Homage to Fernando Pessoa and the city that lies next to the Tagus River.
In the aging orphanage the days pass very uneventfully, but the nights are something quite different; at least for Tim they are. The light reflected from the stars is the only cure for his fear of the dark. One night this fear leads him to the orphanage rooftop. Where he discovers that his favorite star has disappeared, and unfortunately it´s not going to be the last one. Tim also discovers...
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
A brilliantly animated adaptation of the classic Christian story, 3 WISE MEN features the voices of Emilio Estevez, Martin Sheen, and Mexican television star Jaci Velasquez. Created by the same artists who animated FANTASIA 2000, HERCULES, and TARZAN, the family-friendly film artfully brings to life the journey of Melchior, Gaspar, and Balthazar--the Three Kings who traveled to baby Jesus' birthplace under the guidance of the Star of Bethlehem.
In the foothills of the Andes, the dreams of a widowed father and his son shelter their quiet relationship from the cruelty of neighbors, until a desperate act of violence tears them apart. It takes the brave intervention of a stranger to reunite them once again in the place of their dreams.
Bilbao, 1980. In an environment marked by corruption and terrorism, Charli, taciturn thirties, works as a chauffeur and confidant of Mr. Oliveira, a Portuguese born businessman who is engaged in shady dealings. Alarmed by a series of threats and attacks, Oliveira decides to put her teenage daughter, Marta, under the protection of Charli. From this moment, everything is complicated: love comes without warning, violence begets more violence, friends are not what they seem and the money changes hands.
Spanish drama about anti-immigrant racism and family problems. Berta is a single nurse raising her deceased sister's three teenage children in a Spanish port city. The two boys are neo-Nazis with a flaming hatred for African immigrants, and the girl has a boyfriend who runs an underground business smuggling illegal aliens from Africa. Into this time bomb comes a cop, Eduardo, who is investigating the vicious assault of a black man. He and Berta fall for each other and make tigerish love in scenes that are much hotter than you might expect from middle-aged actors.
Cuéntame cómo pasó, also known as Cuéntame, is a Spanish television series which has been broadcast by the Spanish public TV channel TVE1 since 2001. Its original name had to be changed for copyright reasons. The series recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy. Its name comes from a famous song by the Spanish 1960s pop group Fórmula V, titled Tell Me. The producer of the series is Miguel Ángel Bernardeau. The series was created to celebrate the first 25 years since Spain's transition to democracy, and its didactic spirit is clearly evident in some of the episodes. It includes documentary interviews with historical figures of the era, such as people concerned with the assassination of then prime minister Carrero Blanco and the death of Franco. The first episode was broadcast on September 13, 2001. The series begins in April 1968 with the victory in the Eurovision song contest of the singer Massiel. The story reflects changes in Spain beginning in that year. In December 2008, TVE and Ganga Group announced that the series, in its 10th season, had achieved very good audience levels, and would be renewed for up to 3 more seasons, with the storyline moving firmly into the 1980s and the "Movida madrileña".
Focuses on the lives of six young people whose paths intersect on the opening night of La Nave, where the extravagant Countess Pavlova is a transvestite who claims to be Lenin's granddaughter.
In the turmoil of the Spanish Civil War, a young man comes of age sexually, through a string of relationships with a wide range of mature, older women.
Spanish TV reporters covering the War in Bosnia. Based on true experience.
At the end of the seventeenth century, in Naples, still dominated by the Spaniards, a young pupil, Balthasar,is castrated to preserve the purity and beauty of his voice. The Duchess dies and her son, the Duke of Arcos, takes charge of the inheritance, which includes Balthasar. With the entrance of Maria Loffredo, former lover of the Duke, a triangle is established that unchains tragic consequences to the allegedly callous life of Balthasar.
Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.
Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.
Marisa Paredes is Leocadia ("Leo") Macias, a woman writing “pink” romance novels under the alias of Amanda Gris that are very popular all across Spain. Unlike her romantic novels, her own love life is troubled. Leo has a less than happy relationship with her husband Paco, a military officer stationed in Brussels then later in Bosnia, who is distant both physically and emotionally.
Three divorced men share a flat. They live together without trouble till they hire a cleaning lady with whom the three flirt.
A biopic based on the life of one of the pioneer argentine rock stars 'Tanguito'. The movie tells the story of his rise and fall from grace, encompassed in violent times of a military regime.
Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.
In childhood and youth, the three were "the inseparables." Luisa married Ángel, then two years later, she left him to marry Ramiro. After ten years, Ángel reappears, back from South America, broke and ill. Luisa is overcome with sentimentality and, over Ramiro's objections, takes Ángel into their house. Ángel is bitter, he and Ramiro have shifted from best friends to enemies. Luisa wants to be in love with both. Ramiro hopes he can wait out Ángel's declining health, and Luisa wants to heal Ángel through force of will. What is Ángel's plan? Observing the roiling emotions are Luisa and Ramiro's precocious young children. Who's in danger here?
A youngster recently arrived to Spain from Russia falls in love with his own cousin who is an astonishingly beautiful actress and, besides, much older than him.
This is the story of a man fighting with all his might for his life and his freedom. Eleuterio (”El Lute”) embarks upon an action-packed future, fuelled by the notions of freedom and dreams of living just as his countrymen, ever-growing in his mind. Nothing and no-one can stop him. After escaping the Puerto de Santa María prison, the reunion with his family is just the beginning of what will become an endless escape.
In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.
A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.
Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.
German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.
The movie is based on a popular tale from the Basque Country and tells the story of a woman that becomes a widow the same day she gets married, and decides to keep living with the husband's dead body for 6 years.
Opening at the funeral mass for Mikel, we flashback to those that played a part in Mikel's life and death; his estranged wife, his traditional Basque mother, a female impersonator and friend to Mikel in his coming out, and even the local priest.
In Buenos Aires of the 1840s, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime. Based on a true story.
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.
A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner).
Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.
The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.
Toni is a seventeen year old young man who comes to Madrid from a little village in search of work. A friend from the same village of Toni puts him in touch with Charo, "La Corea", a mature woman dedicated to facilitating contacts and boys to American men at the military base of Torrejón.
