Iñaki Miramón
Icíar and Fernando are young. They are both going through the most traumatic experience of their short lives: the loss of a parent. But Fernando and Icíar can neither share the pain nor the strategies for dealing with it. They live in different times. Fernando in 1977 in Bilbao faces the kidnapping of his father by ETA. Icíar in 2011 in Navarra faces her mother's fulminating cancer.
A white-collar crook, an itinerant carnival vendor and other colorful characters keep on chugging through life while residing in a campground. They are down on their luck. They live in a campground. But these eccentrics still embrace their own joie de vivre.
Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.
Galicia (Spain), 50s. Hugo, a failed writer, whose works rejects and over his publishing because they lack credibility, maintains relationships with Ivon, a beautiful young chorus girl, obsessed with stop work, marry and live without financial burdens. Hugo has a son, Carlos, about the age of Ivon, that in addition to her father steal a large inheritance, falls in love for the young. But on Carlos, young, rich and handsome, hangs a mystery ... Remake of the film "Los peces rojos", 1955.
A German bank buys a small Spanish entity and announces to its employees that it will pre-retire them on January 1st. The cashier Galindo proposes his fellow coworkers a plan to steal a large sum of euros which will arrive on New Year's Eve.
Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.
Based on Miguel Delibes novel. Rafael Corral, socialist member, decide to attend to the funeral of a friend although they had recomended him not to go for politic reasons. He finds there some friends and talking with them makes him to change his mind.
In a well-acted historical drama about clashes between opposite ends of the economic and cultural spectrum, a literal witch hunt in a Basque village sets orthodox religion against pagan beliefs, feudal lords against the impoverished peasantry, abusive men against defenseless women, and in some ways, Spaniards against Basques. The witches are female and from the lower classes, the persecutors are wealthy white Christians. The story revolves around Garazi (Silvia Munt) whose grandmother is burned at the stake when convicted by the Spanish inquisitor of being a witch, something that brings Garazi under suspicion and eventually into prison. She is tortured in prison and raped by her rejected suitor, the vicious son of a local landlord. While Garazi is suffering her own pain, a struggle on a much broader scale is in the offing.
The story of various, diverse relationships among different generations near Santander. The film uses flashbacks taken from Viota's earlier film Fin de un invierno, and follows elements of his first feature Contactos.
A story of love and heartbreak. Of hope and despair. Of passion and abandonment. After two years together, John has left Marita, a mature woman that has kept him until he has found Adela, another woman from whom get her money.
Diego , the son of a prostitute stabs Maria , suddenly it begins to happen a number of miracles attributed to the intercession of the dead woman . Patients from all over town arrive to implore and consider her as a saint.
