Indrani Halder

Sweet and sour.

Manik Babu, a respected Ex-Army officer, with his wife Dipa sojourns in a conurbation near Kolkata. His son along with his daughter-in-law and grandson have settled abroad. So he develops a bond with his childhood friend Sen Babu's grandson, Tatai. When a circus team emanates in their area, Tatai falls in love with the grandeur of the circus, especially the circus horse. But can Manikababu ultimately fulfill Tatai's dream?

A lookback down the memory lane at the lives of the stars who disappeared into the darkness.

On realising that her family takes her for granted, Sreemoyee, a housewife, sets out to create a new identity for herself. A heartwarming second chance at life.

Drishyantar is a thriller with doses of romance and fun, based on the ambiance of a theatre play being designed for shows.

An old man commits suicide by jumping before a running train. In the next 72 hours, six stories unfold one after another. Curiously interlinked, each story is born out of a chance encounter between two strangers leading to a high voltage drama with a strange twist at the end.

Takhan Teish is a 2010 Bengali film directed Atanu Ghosh which was premiered at the 6th Osaka International Film Festival, Japan. It is Ghosh's second feature film.

Bijoy, who is mentally challenged, falls in love with his sister-in-law's younger sister, Rumi. But, with Rumi's elder sister against their relationship, will the duo ever unite?

A journey of four people, Pradyut, Madhura, Neel and Angshuman, through the making of a film. Legendary actor, Pradyut, had chosen a life of exile. Madhura, National Awardee for her debut film, now leads a frustrated existence. Neel, passionate about dance and astronomy, chances on something that changes his destiny. Angshuman, returns from Italy eight years after completing a course in film direction. He has an interesting script on the curious relationship between a septuagenarian celebrity painter and a young nurse. The project is a non-starter with constant setbacks. A crime occurs brings emotional crises to a peak. Despite all adversities, Angshuman is determined to see his dream project through.

A woman, Jeena, is found dead and all fingers point to Siddhartho Basu, her childhood lover. In order to save Siddhartho, his wife starts digging into the past.

Neel Rajar Deshe (Bengali: নীল রাজার দেশে "In the Land of the Blue King") (2008) is a Bengali film Directed by Riingo Banerjee.

Several Hindu people whose lives get intertwined, experience complex human emotions due to many complications. They all come to the conclusion that love does not always bring happiness.

Rawjoni, a prostitute, yearns to live only for the sake of her daughter, Sobita, and provide for her future. In the process of doing so, she faces various struggles.

'Saanjhbathir Roopkothara' tells the story of a young dreamer. While the title character dreams of beauty, love and happiness, her dreams are broken by her encounter with men she meets(the men are portrayed as lusting objects, with the exception of the father) and ultimately shattered by her father. Beautifully told, through poetry and symbolism, director Anjan Das presents Tukun aka Saanjhbathi's world. Her world is also presented through her father's wonderful paintings from which she draws inspiration. Indrani Halder gracefully plays the title role with sincerity and maturity while Soumitra Chatterjee is sublime.

A journey through the life of an aged Bengali poet, Shashibhushan. Shashbhushan, now blind, reflects on his past. Stimulated by sounds - songs, crows, traffic, and an electronic lighter - he recalls the now-vanished arts and literature scene of post independence Calcutta. The old man lives in a crumbling aristocratic mansion in the heart of town, which he shares with his teacher's daughter, Sarama, and her young son Shumon. During a vacation in the country another man enters their lives. Gangan was born blind and is a talented singer. Gangan and Sarama engage in a secret affair as Shashibhushan recalls his own wife, who he lost because of his uncontrollable sexual appetite.

Madhabi Is Forced To Leave Her House Because Her Husband Suspects That She Has Been Raped And Impregnated By Goons. Her children leave the house as well. Years later, destiny brings the family together, and Madhabi sets out to change her husband's perspective. Was she really ravaged? Or did she fall victim to an elaborate conspiracy?

Rimi's Sampradan (the offering of her vagina) is completed by her mother, Kalyani, who doesn't allow her imperfect father to come to her marriage ceremony.

A man and his wife are frustrated with the responsibilities of taking care of their family. However, Borun tries to keep the family from falling apart.

On her way home the newly wed Romita is molested by five men. The only one who has the courage to help is the young female teacher Jhinuk. Because of that she becomes a heroine and is on all papers' front page. But the page is turning: As not only the police but also neighbours begin to ask embarrassing questions the two women are eventually intimidated and the five man are getting free with the help of corruption and male domination.

In this Indian drama a young man must cope with a job he is not really suited for. Lakhinder captures exotic birds from the Bengal forests. He is to sell them in Calcutta. Unfortunately he cannot bear to see them caged and always sets them free. He does not earn a lot of money as a result. His wife is angry at him, and begins having an affair with the man who takes the birds to the market. Lakhinder's partner's daughter understands his relationship to the birds. They come to visit him in his lonely hut.

Distraught after his wife dies, Ashoke loses his mental balance. Taking this to be a good opportunity to usurp his wealth, Dilip, his cousin, tortures him.

After her husband passes away at a regressive Shyambazar household, progressive Bandana falls in love with her son's painting mentor, Sudipto Sorcar. However, due to Titli Chatterjee's mother's objection, Bandana gives up on her love and starts living at the orphanage.

The younger brother-in-law pays back to the widow of his brother.