Ingrid Oliver
Two female scam artists, one low rent and the other high class, compete to swindle a naïve tech prodigy out of his fortune. A remake of the 1988 comedy "Dirty Rotten Scoundrels."
Kate is a young woman who has a habit of making bad decisions, and her last date with disaster occurs after she accepts work as Santa's elf for a department store. However, after she meets Tom there, her life takes a new turn.
Despite their age difference, Lesbian couple Olivia and Alex are very much in love. But as the question of pregnancy rears its head and their neighbour John befriends them, they both start making some truly disastrous decisions.
The series is the first to star Peter Capaldi as the Twelfth Doctor, an alien Time Lord who travels through time and space in his TARDIS, which appears to be a British police box on the outside. It also stars Jenna Coleman as his companion, Clara Oswald. Also playing a major recurring role in the series is Samuel Anderson as Danny Pink, Clara's boyfriend. The main story arc revolves around a mysterious woman called Missy (portrayed by Michelle Gomez), who is often seen welcoming people who have died throughout the series to the "Promised Land", a place that serves as an apparent afterlife to deceased characters. Missy's true identity is later revealed to be the Doctor's arch-enemy, the Master, who has hatched a plan using the help of the Cybermen and through manipulation of the Doctor and Clara's relationship.
In this epic two-part finale, the Doctor comes face to face with the mysterious Missy, and an impossible choice is looming. With Cybermen on the streets of London, old friends unite against old enemies, and the Doctor takes to the air in a startling new role.
In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor's own dangerous past comes back to haunt him.
Various actors, presenters, directors and other staff who have worked at the iconic BBC Television Centre at Shepherd's Bush in London reminisce about their time there.
Paralysed from the waist down after a car crash, Julie Hill struggles to get used to her disability and to save her marriage. It looks as if her husband will leave her. Then doctors try a revolutionary treatment which feeds electrical impulses to her leg muscles - allowing her to ride a bicycle once again and so go out for bike rides with her family. Her marriage survives and she and her husband end up closer together than before.
Feminism is all well and good, but what about the men it leaves behind? One man's reaction to the "womenification" of the wider world around him.
