Ira Sachs
Reflection of the society and vector of the occidental culture, American cinema influences the entire world since its debuts.
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones. Produced by Strand Releasing and Connor Jessup.
In this short film Ira decided to pay tribute to another one of Strand’s filmmakers, Jacques Nolot. His film is a meditation on not only the passage of time but on how we remember our lives through recorded images
Jake is a quiet, sensitive middle schooler with dreams of being an artist. He meets the affably brash Tony at his grandfather's funeral, and the unlikely pair soon hit it off. The budding friendship is put at risk, however, when a rent dispute between Jake's father, Brian, and Tony's mother, Leonor, threatens to become contentious.
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.
An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Keith Haring, Robert Mapplethorpe, Norman René, Peter Hujar, Ethyl Eichelberger, Felix Gonzalez-Torres, Cookie Mueller, Klaus Nomi... the list of New York artists who died of AIDS over the last 30 years is countless, and the loss immeasurable. In Last Address, filmmaker Ira Sachs, who first moved to the city himself in 1984, uses images of the exteriors of the houses, apartment buildings, and lofts where these and others were living at the time of their deaths to mark the disappearance of a generation. The elegaic film is both a remembrance of that loss, as well as an evocation of the continued presence of their work in our lives and culture.
A very gentle middle-aged man is married, but when he falls in love with another woman, he decides that to divorce his wife would humiliate her too much – so instead he decides to kill her.
A Russian woman living in Memphis with a much older rock-n-roll legend experiences a personal awakening when her husband's estranged son comes to visit.
A portrait of the filmmaker's father, an American businessman on a quest for money and women in modern Moscow.
Set in the modern South, a drama which speaks of the troubled intersection of race, class, and sexuality; it unfolds during a few pivotal days in the summer vacation of Lincoln Bloom, a handsome student from a wealthy Jewish family. Unbeknownst to his friends, family and girlfriend, Lincoln periodically and furtively prowls the late night cruising zones of Memphis in search of male partners. On one such outing he picks up Minh Nguyen, a half Vietnamese refugee recently transported from Southeast Asia. Whet begins as a random encounter deepens when the two spontaneously sail up the Mississippi river in Lincoln's father's boat. But when their romantic idyll -- which gives Lincoln his first taste of freedom and Minh his first taste of romance -- ends in betrayal, Lincoln decides to slip back into his sheltered, seemingly "normal" life
A traveling theatrical troupe, made up primarily of gay and lesbian performers, mirrors the troubles of a political and social community through its tight-knit existence.
The story revolves around the Christodora, an East Village apartment building that was ground zero for the AIDS crisis.
During production of A Place in the Sun, Montgomery Clift meets the woman who will become his closest confidant and best friend, Elizabeth Taylor.
