Irina Dobnik
In the summer of 1993, a group of Bosnian refugees flee to Sweden due to the war in Bosnia. The Swedish Red Cross places refugees in a pavilion for migrants. Among them is the middle-aged married couple, Dervish and Adem. Dervish meets the Swede Ingrid in the pavilion and despite the language barrier, the two become good friends. Then, Dervish finds out that Ingrid is seriously ill...
A young man by the name of Atif Kurtovic goes into a mine for the first time in his life to become a miner and to continue exactly where his now retired grandfather had left off. However, his fate is soon completely changed when he is picked as the face for the most valuable banknote in the country, the bill in the amount of one thousand dinars. Because of this, Atif soon finds himself on his way to Belgrade where Tito's personal photographer takes his picture and thus allows Atif to become a part of history. Into this story enters a young girl whose nickname, "Hiljadarka / A Thousand", is no accident and with whom Atif falls in love. When Tito announces his personal visit to Atif's hometown, there begins an adventure that they will all remember for the rest of their lives.
The story of poet Aleksa Santic, visionary and romanticist, great loser in private life. The poet was born in strict patriarchal, rich trading family from Mostar, in conservative social environment, in controversial times in the end of XIX and beginning of XX century. As a young man, he falls in love with the Slavonian girl, Anka Tomlinovic, daughter of poor photographer, leaving her under pressure of his family. Later, he meets Zorka Solina, young and rich girl from Mostar who, again because of the interests of her family, leaves the poet. In his mature years, Aleksa Santic engages himself passionately in social and political life of his age. Disappointments, poverty, sickness and loneliness follow. And the certainty of early death. His older brother tells the story of poet's life, while he is dying.
A tale of dirty filmmakers' job, constructed in the form of collage consisting of authentic events, movie document, while also being an experiment. In the movie, real writer Radoslav Pavlovic and film director Dusan Sabo play themselves as other people, and others as themselves. They're trying to make a film about Kosovo... Cinema observed as parallel life. At the same time, it is homage to French New Wave classic "Breathless" by Jean-Luc Godard.
