Isabelle Adjani
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.
To escape his life of crime, a Paris drug dealer takes on one last job involving Spain, unhinged gangsters, his longtime crush and his scheming mother.
Isabelle Adjani is Carole Matthieu – a workplace physician employed in a call centre who has become emotionally involved in the suffering of her humiliated co-workers.
A story about 11 girls living in Paris. Each of them has its own problems: career, love life, children. Every girl has their complexes and virtues. They always look elegant, hiding their inner feelings. Will they reach all the goals and overcome all their difficulties?
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
Akash nd Ishkq meet on a train from Rome to Paris and spend a romantic evening in the city.
Following a series of unsolved robberies, the authorities decide to give carte blanche to commander Clara Damico to neutralize a particularly organized gang. Manual Makarov, a well-known figure in organized crime, is currently serving a sentence of twelve years in prison. Commander Damico promises him freedom in exchange for his cooperation. He refuses. There is no other solution, she is obliged to compel him by force.
Documentary that retraces Isabelle Adjani's life and career.
Serge Pilardosse vient d'avoir 60 ans. Il travaille depuis l'âge de 16 ans, jamais au chômage, jamais malade. Mais l'heure de la retraite a sonné, et c'est la désillusion : il lui manque des points, certains employeurs ayant oublié de le déclarer ! Poussé par Catherine, sa femme, il enfourche sa vieille moto des années 70, une " Mammut " qui lui vaut son surnom, et part à la recherche de ses bulletins de salaires. Durant son périple, il retrouve son passé et sa quête de documents administratifs devient bientôt accessoire...
Monsieur Ibrahim is a story about a young Jewish boy in Paris who meets an old Muslim Turkish grocery store owner. The film touches the themes of friendship and love as the old man is a father figure to the boy as he teaches him of the Koran. The film is based on a book of the popular book by the French author Eric-Emmanuel Schmitt.
Isabelle Adjani and Gerard Depardieu star in director Jean-Paul Rappenau's amusing farce set on the eve of World War II, which follows the intersecting lives of four Parisians as they cope with the impending invasion of their city by German forces. As the French government braces for impact, the lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.
A mysterious woman, dressed in black and carrying a small suitcase, arrives in Nice and tries in vain to get a job in a luxury goods shop. She ends up in a plush hotel where a solitary middle-aged man, engages her to be his companion. They introduce themselves - she is Charlotte, he is Paul. Both are reluctant to talk about their past; both need someone to make their present predicament more tolerable. Unbeknownst to either of them, Charlotte is being followed by another man, who seems intent on revenge...
In the nineteenth century, Adolphe, a young man of twenty four carefree years, plans to obtain favors Ellenore, a beautiful woman of thirty years, much more vulnerable. This yields to his advances and he disclaims all. But already, Adolphe loves less. Yet the idea of the pain is unbearable.
The wife and mistress of a cruel school master collaborate in a carefully planned and executed attempt to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The strain starts to tell on the two women as a retired police investigator who is looking into the disappearance on a whim begins to think that they know more than they are telling, and their mental state is not helped when their victim is seen, apparently alive and well by one of the pupils.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
The night of August 24, 1572, is known as the Massacre of St. Bartholomew. In France a religious war is raging. In order to impose peace a forced wedding is arranged between Margot de Valois, sister of the immature Catholic King Charles IX, and the Hugenot King Henri of Navarre. Catherine of Medici maintains her behind-the-scenes power by ordering assaults, poisonings, and instigations to incest.
In this erstwhile comedy, Penelope (Isabelle Adjani) is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie (Clementine Celarie) so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining.
The life of Camille Claudel, a french scupltor who becomes the apprentice of Auguste Rodin and later his lover. Her passion for her art and Rodin drive her further away from reason and rationality.
Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque.
Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.
Beauvoir, lonely, aging private detective, is put on the bloody track of beautiful Catherine Leiris who kills and robs her rich husband(s) on their wedding night. Although he never approaches her directly, he follows her and increasingly feels to be telepathically connected to her, because she reminds him of his daughter he never met. After he led a blind artist, Catherine's truly beloved spouse, into a bus accident, she makes a living by bank robbery with young Betty till Betty gets shot. Alone again, Catherine leads a sad, uneventful life as a waitress, when she meets her follower.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
Victor Valance a quitté Paris depuis plusieurs années, laissant derrière lui sa mère et ses trois filles, pour réaliser de sombres opérations de casinos aux Bahamas et au Canada. Sa fille ainée, Pauline, est polytechnicienne, attachée au ministre des finances, et s'occupe de toute la petite famille.
A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
Isabelle and Maxime are a pair of lighthearted lovers -- that is, until Isabelle gets the itch for motherhood. When she confesses her desire for a child, Maxime panics. As a cartoonist by trade he is far from financially stable, so he outright rejects the idea of parenthood. What follows is a roller-coaster romance full of recriminations and reconciliations, until Maxime must ultimately decide whether his fear of becoming a parent is a reason to leave.
Three days in the lives of six friends who are nearly 30 years old, live in Grenoble, and have a rock band called the "Why Notes?". They're to play in Paris at Charles's school reunion. In getting to Paris and back, the characters interact with Aimee's ex-husband and her abrasive, cruel ex-mentor, Louise's would-be lover who turns out to have a husband, Mickey's long-time lover and her children, Bertrand's Germanic wife and their children who speak no French, and Frederic's distant mother. The band also meets Clara, a mercurial free spirit who beguiles Bertrand, then Mickey, then takes up with someone else in the band.
Jonathan Harker, a real estate agent, goes to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar. Once Jonathan is caught under his evil spell, Dracula travels to Wismar where he meets the beautiful Lucy, Jonathan's wife, while a plague spreads through the town, now ruled by death.
In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
Violette and François are a couple with a child.As they cannot lead a good life with odd jobs,François starts to steal.
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.
A quiet and inconspicuous man rents an apartment in France where the previous tenant committed suicide, and begins to suspect his landlord and neighbors are trying to subtly change him into the last tenant so that he too will kill himself.
Adèle Hugo, daughter of renowned French writer Victor Hugo, falls in love with British soldier Albert Pinson while living in exile off the coast of England. Though he spurns her affections, she follows him to Nova Scotia and takes on the alias of Adèle Lewly. Albert continues to reject her, but she remains obsessive in her quest to win him over.
Harpagon, a miserly bourgeois, wishes to marry the young Mariane and marry his daughter Elise to Lord Anselme. He does not know that Cléante, his son, is in love with the young Mariane and that his daughter Elise loves a penniless young man, Valère, whom he has just hired as a steward.
Inspired by the book The Lives of the Most Excellent Painters, Sculptors, and Architects by painter Giorgio Vasari, this historical soap opera, in which betrayals, kidnappings, murders and police investigations are interwoven, relates the discovery by the Italians of the secret of Flemish painting around 1470 .
Faustine suffers the wounds of first love. During a summer when she is staying with her grandmother, she comes to know the nearby neighbors. Two brothers live in the large house. One is divorced and one has recently remarried, both of them live there with their teenaged and adult children. Though the boys of the household are drawn to Faustine, she grows ever more smitten with the divorced older man...
When the long awaited departure day arrives, le Petit Bougnat, a child coal merchant eager to go to summer camp, realizes that his mother forgot to register his name with the rest of the group. Desperate to join them, the young coal merchant tries to find a way to integrate himself with the other campers. On the opposite end of the spectrum is Rose (Isabelle Adjani), who refuses to join the kids and goes so far as to run away from the bus. While the coal merchant is busy avoiding authorities who want to remove him from the rest of the group, Rose continues to sulk and search for a way back home. Despite her initial doubtfulness, Rose eventually comes to see the charms of the camp, and walks away from an offer to leave.
Inspired by Bastien Vivès, Jérôme Mulot and Florent Ruppert’s French graphic novel ‘La Grande Odalisque’, this is about a gang of female expert thieves targeting high-end loot.
