István Kardos
The sixteen year old Bea is on her way home from her sports class when a foreign long- vehicle stops by her and she is asked the way. A shove, the banging of the door, and the long-vehicle pulls away with its victim towards the South. Beas abductors rape her and sell her as a prostitute. She tries to escape, keeps leaving marks behind, hoping that her beloved father, Sándor, will find her.
In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him. On summer holidays he camps out at the riverside with his family, prospecting. The mother of Sanyi slanders Csőrös in front of the boy, therefore Sanyi takes a revenge: he throws the gold collected by the man into the river. As it turns out that the slander had no ground, Sanyi begins to search for gold as well in order to make his error good.
To celebrate Sleeping Beauty's awakening, the cruel stepmother organises a dress-ball in the Wonder Castle and invites the characters of all tales and their two fathers, the Grimm-brothers. The stepmother announces total peace, but in fact she is preparing for a coup d'état with a phoney prince, a phoney Sleeping Beauty, through intrigue and violence in order to change the tales.
The parents of Kabala (Lucky Charm) and Facsiga (Wooden Top) are divorced. Kabala, an adolescent girl was awarded to the father, while Facsiga, the younger brother was awarded to the mother, but they do not really belong to anyone. The two children want to live together at all costs.
A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuszter) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street" With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Köbánya-blues.
More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences.
In the late 17th century, Hungary moved from Turkish to Austrian domination, becoming a key part of the Austro-Hungarian Empire. In this story, which takes place shortly after that time, three outlaws murder a group of people on their way to a wedding. One young man was a slave travelling with the group to entertain them with his skills as a trumpeter. The outlaws spare him for the same reason. He allows himself to believe that they are really an unattached group of independence-fighters, but after seeing their brutal and callous ways, he cannot believe that they are good men, and he turns them in to the authorities. At that point, he is unnerved to discover how nobly they bear the rigors of captivity. ~
The characters of this fiction of sociogra-phic accuracy live in the reformatory school for girls in Rákospalota. They are all girls of similar pasts, desires and needs but Juli hates bars more than any of them, trying to make contacts with the world out there in order to leave the school behind forever.
This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.
While awaiting his release from the Soviet detention camp he is being held in, a half-starved refugee (Andras Ambrus) finds that an error has been made and his name is not on the to-be-released list. It is then that he is forced to assume the identity of a dead man whose name is on the list. Ambrus at first refuses, but because he was an orphan and cannot produce evidence of his true identity, he has no other choice. However, when he returns to the outer world and the community he was raised in, he is greeted with suspicion. When he tries to claim his part-ownership of a farm from his adopted uncle, he is refused and beaten by farmhands the uncle sets on him.
