Isuzu Yamada
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).
The "Hissatsu!" band of assassins gets involved in an old mansion with a secret weapon.
A group of seemingly ordinary merchants is really a band of assassins for hire. When they discover that all the assassins in Edo are being killed they must act quickly to find the culprit.
Can a woman love two men at the same time? Set against the backdrop of Kyoto's rich history, this story depicts a woman's difficult choice for love. Ayako, played by Yukiyo Toake, is an international conference coordinator. Torn between her childhood sweetheart (played by Kenji Sawada) and her English professor (played by Noboru Nakaya), Ayako will seek answers to love, marriage, and choice.
A car going at 25 mph plunges into the sea at Shinko Harbour, Toyama prefecture. Inside is the local business magnate Fukutaro Shirakawa, who perishes. Riding alongside him and surviving unhurt is his second wife, Kumako. It soon comes to light that Kumako’s husband was insured for 300 million yen and she is arrested on suspicion of murdering her husband for the insurance money. The newspapers denounce her as an evil woman, while the public is in no doubt about Kumako’s crime. Ritsuko Sahara is chosen as her defence attorney but the pair clash over almost everything...
Nakamura Mondo was relegated to a post in Hachioji from the Minamimachi Bugyōsho and he has retired from professional assassin. But one day he was ordered to return to the Minamimachi Bugyōsho. Shikazō worked behind the scenes to get Mondo back to the Minamimachi Bugyōsho. Shikazō asks Nakamura Mondo to kill a man, once Mondo refuses but he is blinded by big money and eventually take the offer. Mondo restarts killing villains again with Kazarishokunin no Hide and Nawate Samon.
Following the death of the second Tokugawa shogun, it is revealed that he was poisoned by retainers of his son Iemitsu in hopes of gaining him the shogunate despite the stammer and birthmark which undermine his respect. Iemitsu and his brother Tadanaga become bitter rivals for the shogunate, and the land is split into factions, eventually erupting into warfare. Iemitsu's mentor, his fencing instructor Yagyu, is fixated upon securing Iemitsu the shogunate and ends up betraying everyone, even his own family, in pursuit of the goal.
Kenji Mizoguchi: The Life of a Film Director (Aru eiga-kantoku no shogai) is a 1975 Japanese documentary film on the life and works of director Kenji Mizoguchi, directed by Kaneto Shindo (Onibaba). It runs 150 minutes and can be found on the second disc of the Region 1 Criterion Collection release of Ugetsu (1953).
The chronicles of the life of Minamoto no Yoshitsune (1159 - May 17th, 1189). He was a late Heian and early Kamakura general of the Minamoto clan of Japan. Yoshitsune was the ninth son of Minamoto no Yoshitomo. His older brother Minamoto no Yoritomo founded the Kamakura shogunate.
In 221 BC, Qin Shihuangdi conquered the rest of China. Qin's great accomplishments and also his serious faults are showed in this film. Qin adopted autocratic dictatorship and led a luxurious life: abolition of feudalism and the centralization of power in the form of a now-hereditary bureaucracy loyal to himself; burning books and burying scholars; the construction of a sumptuous palace for his concubines and also the Great Wall.
A touching drama about a love triangle between a young architect, Koroku, and two women, Ranko and Teruko. Ranko comes from a wealthy family and is offering to repay Koroku’s family debts in exchange for marriage, but Koroku is in love with his landlord’s daughter, Teruko. Things are further complicated when the wicked Tsugawa takes interest in both women, for his own marriage.
A treasury official passed over for promotion and obsessed with careerism interferes in the lives of his three sons, who seek escape from his relentless pressure in the mortal danger of mountain climbing.
A story about the lives of four sisters and their manipulative mother who must come to terms with each of their decisions in life.
The murder mystery solving Young Lord has moved on from helping out with minor crimes and infractions, taking up a new hobby of archery which may wind up putting his life at stake when he runs afoul of the shogun’s chief attendant, a man so vile that Young Lord decides to take him on and find out who is really pulling the strings from behind the scenes as a family is brutally murdered in their own home. Meanwhile the official government saké dealer is framed as a rebel by a corrupt member of the Shogun’s Council of Elders! Can Young Lord survive the dastardly attacks on his life and bring justice to the aggrieved survivors of a displaced townslan
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
After their father quarrels with local military men, Anju and Zushio are forced to flee, but they are captured and sold into slavery. When their mother dies, they are sold to Sansho the Bailiff, a cruel man who subjects them to hideous torments. While Anju falls into a lake and is transformed into a swan, Zushio escapes and after being adopted to a nobleman grows to a young man. He will then fight to defeat the evil Dayu and free all the slaves.
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself "already dead."
Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care. The film presages Ichikawa's The Makioka Sisters in its World War II nostalgia and visual sophistication.
A poignant story about a young couple, Setsu and Chozo, who are torn apart to save Setsu's father's restaurant.
A kindhearted wandering gambler named Hajiro gets involved in a crisis of a village as he passes through and decides to lend a sword in hopes to rescue them.
A mother and her daughter who run a quiet mountain hotel, and guests who visit the hotel. A girl who does not know what a broken heart is, the attractive joy of first love, and separation is like parting with life. The mother-daughter duet with Isuzu Yamada attracted a lot of attention at that time. Haruko Wanibuchi, demonstrated rare attractiveness and pure charm by playing a heroine living in a beautiful and pure first love.
Shochiku's commemorative 3000th film production; a suspenseful period drama.
The common-law wife and daughter of a wealthy old man plot to murder him and steal his fortune, with the help of their male acquaintances.
A family is slowly falling apart: the father is absent from the start, the mother a kept woman thanks to her children, the son is being cheated on by his wife, one daughter is forced to marry an older man against her will, while the other has retreated into smug moral superiority.
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances—especially child actor Motoharu Ueki—add to the emotional power.
Two sisters find out the existence of their long-lost mother, but the younger cannot take the truth of being abandoned as a child.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
The story follows a university student who moves into an apartment building and becomes involved with a waitress. The landlord then attempts to evict the tenants and sell the building through illicit means.
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
A coming-of-age story portrayed as the loss of all youthful illusions. Sixteen-year-old Yoichi dreams of becoming a sailor. His parents are fishmongers, and Yoichi lives together with them and his four siblings in cramped living conditions. His beloved younger sister is given to a wealthy, childless uncle; his best friend moves away; the girl he fell in love with from afar is with someone else: little by little, Yoichi loses all the people that are important to him.
Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.
The story of a novelist whose wife is confined in a mental hospital. His love for her drives him to write about her, though he runs into trouble when her parents accuse him of cashing in on her misfortune.
A boy falls in love with a girl. Neither of them know that she's to be sold to a brothel.
A historical scroll depicting the story of the tragic fate of the young samurai Minamoto Yoshitsune, based on the novel by Genzo Murakami. The action of the first part takes place in the late Heian period, when the Taira clan came to power, and Genji was oppressed. The great dream and ambitions of Genkuro Yoshitsune in his youth are depicted, he joins forces with his older brother Yoritomo to raise an army to defeat the Taira clan, and the second part depicts the fall of the clan, persecution and murder.
Based on the play ”Mabuta no haha” by famed author Shin Hasegawa, this is the first major starring role for Tomisaburo Wakayama. This heartfelt story concerns a wandering gambler from Banba by the name of Chutaro. Set during the Tenpo Period, Chutaro runs afoul of Boss Sukegoro of Iioka. Pursued by vengeance seeking swordsmen, Chutaro displays his phenomenal martial art skills. Abandoned as a child, he seeks to find his long lost mother, while at the same time fighting off numerous attacks by Iioka’s men.
The female members of the family of the Minister of Health and Welfare, who has just proposed a program of birth control, become pregnant one after the other. - Nikkatsu
Across the Inagawa River that runs through the center of the village, the children of the two villages scrambled for a swimming pool, and each time a stone battle took place. Takemaru, the only son of the priesthood of Tada Shrine, was weak and was always forced to carry stones. However, neither swimming nor stone-throwing was a secret to his sick mother, Kouko... Seishi Matsumaru, Ryuichi Yoshida, and Ado Matsuyama were adapted from "Tenmangu" and "Ishigassen", directed by Mitsuo Wakasugi of "Waran Hayashi", and photographed by Hanjiro Nakazawa of "The Last Women".
Christ in Bronze is a 1955 black-and-white Japanese film directed by Minoru Shibuya. It was entered into the 1956 Cannes Film Festival.
An ethical, young tax collector new to his area encounters increasingly absurd individuals and groups coping with their post-war woes.
In a mountain village, Heita, a translator's son, is a gifted boy but is shunned by the villagers. He can imitate birds' cry and befriends another boy who works in a brewery. Heita also finds solace in the village pastor Yasugi and his teacher Michiko, but they too have problems of their own.
Onna Hitori Daichi wo Yuku (A Lonely Woman in a Lonely Land, Kinuta Production, 1953) was the second feature film directed by Kamei Fumio, who is known as a master of documentary films, and followed his “Haha Nareba Onna Nareba(Become a Mother, Become a Woman)” (1952).
A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The work that became the last work of the giant star Tsumasaburo Bando.
A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.
A gallant swordsman takes on the forces of evil with the help of his trusty friends.
During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.
The Ueki family may not be wealthy, but smiles are never in short supply. The father is awarded prize money for 25 years of service to his workplace, but has it stolen on the way home from the ceremony...
During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!
A fishing union depends on two brothers to make up the losses caused by the dishonest captains they replaced.
A bar girl tries to pass her three children, each from a different father, to rural relatives.
Swordfighting instructor Danpei works at a local theater in Tokyo, instructing the actors how to fight realistically.
Kiyone Sakurai, an apprentice swordmaker makes a sword for his guardian, Kozaemon Onoda. Onoda breaks the sword while defending his lord which eventually leads to his death at the hands of Naito, when Naito demands to marry his daughter Sasae. Sasae vows to avenge her father's death and pleads for Kiyone Sakurai to make a special sword for her. So Kiyone and his fellow swordmaker Kiyotsugu go to the master swordsmith Kiyohide Yamatomori to learn their craft and forge the sword. - Will Gilbert
Based on a short story by Dazai Osamu, produced under the national film law. The film's hero falls in love with the youngest daughter of a family he is visiting to arrange an engagement for his friend who has been drafted to fight in the war.
The Way of Drama unfolds in the world of kabuki in Osaka, but also addresses the politics of popular culture and the rivalry between theatrical styles like those used by amateur actors to dramatise contemporary events.
A self-absorbed young actor humiliates an elderly Noh performer, who then commits suicide. His act of cruelty compels his father to disown him, leading the once promising actor to a life on the streets. But his desire to win back the respect of his father and the affection of the dead actor's daughter pushes him toward a more noble existence. Naruse employed a delicately structured mise-en-scene in this family melodrama, which evokes the work of Josef von Sternberg.
A bizarre murder at a hot springs resort threatens to disrupt an Edo detective's (Hasegawa) vacation. When his hot-blooded wife (Yamada) starts snooping around, however, he finds himself reluctantly drawn in to the case.
A "slice-of life" film about a group of high school girls in 1940s Japan.
Adaptation of a novel by Nobuko Yoshiya that was serialized in "Shufu no tomo" between 1939 and 1940.
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
When Sentarô’s father is killed by a drunken samurai, Sentarô avenges him. His deed puts him on the run and leaves his sister behind. While running from both the authorities and the assassins, Sentarô meets with the beautiful travelling-actress Oshima who takes him under her protection.
A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.
Drama about a couple and how they found themselves related with music, their egos and each other.
Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.
Ayako becomes the mistress of her boss so she can pay her father's debt and prevent him from going to prison for embezzlement.
When a civil war threatens to break out, two geishas flee from their village with aristocrats. During the long journey, the socially inferior women prove to be morally superior to their betters.
In Tokyo, Osen is the servant girl of an unscrupulous antiques dealer, Kumazawa, who takes in the penniless Sokichi Hata. Kumazawa mistreats Sokichi and Osen, while swindling some Buddhist monks out of their temple treasures. When Kumazawa is arrested, Osen agrees to help Sokichi finance his dream of going to medical school. They live in a humble room, and eventually the only way Osen can find enough money for them is to prostitute herself during the day, without Sokichi knowing. - Will Gilbert
Once a wealthy local land owner, Toranosuke has long since fallen on hard times. Social ostracism befalls those who neglect communal duties and Toranosuke's life goes down hill by being exiled from the village. The story evolves around brother and sister Umakichi and Oroku left alone by their father.
Kenji Mizoguchi is credited as “supervisor” on this rare Japanese genre film, which stars the stunning Isuzu Yamada (Osaka Elegy, Throne of Blood) as a professional criminal, part con woman and part martial artist, who falls in love with a young man from the straight world.
This film tells the story of a ronin's search for his parents, but primarily is a group portrait of life in a Tokugawa-era tenement.
In the midst of the depression, two ronin rack their brains to come up with a dishonest scheme. Taking a man from the countryside, they fashion him into Ise Isenokami, the finest swordsman under the sun. Pretending to be his followers, they visit various sword fighting dojo. Out of fear upon hearing the name Isenokami, they pay him off and do not let him enter their training halls. The impostor eventually comes face to face with the real Isenokami after rescuing his daughter, Oyae, who is caught up in a minor incident.
In old Edo, Kakunojo (Chiezo), a dandy about town, falls in love with Oichi (Isuzu Yamada), whose merchant family is much beyond Kakunojo's status. He nevertheless pursues her until her initial disgust breaks down into fondness, then romantic feelings, inducing her to abandon her fiance on their wedding day.
His mother abandoned him as a child, so he had no choice but to live outside society. Even so, he grows up determined to reunite with her. Worried that she might be living in misery, he saves his money to help, only to find that she has married into wealth and social position and has no intention of seeing her outcast Yakuza son...
