J. Edgar Hoover
National Geographic documentary on Martin Luther King Jr. helps drive change in the United States in the face of bitter opposition, not least from opponents within the U.S. government; King is subjected to a fierce campaign of intimidation by J. Edgar Hoover's FBI.
From 1971 to 1973, Richard Nixon secretly recorded his private conversations in the White House. This film chronicles the content of those tapes, which include Nixon's conversations on the war in Vietnam, the Pentagon Papers leak, his Supreme Court appointments, and more--while also exposing shocking statements he made about women, people of color, Jews, and the media.
Explore America’s enduring relationship with firearms: From the first European settlements in the New World to frontier justice; from 19th Century immigrant riots to gangland violence in the Roaring Twenties; from the Civil War to Civil Rights, guns have been at center of our national narrative for four hundred years.
The wildly disparate yet fatefully entwined stories of assassin James Earl Ray and his target, Dr. Martin Luther King Jr.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
A documentary look at the confluence of the Red scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.
This color propaganda film made National Education Program (NEP) as a warning to citizens of the USA about the subversive groups within the country looking to destroy the American system and its people. It dates to 1968, one of the most chaotic years in 20th Century American history.
An FBI agent (George Murphy) works with a refugee scientist (Finlay Currie) and the Coast Guard to crack a Soviet spy ring in Boston.
Universal newsreel recounts the proceedings at the House Un-American Activities Committee
There is a vast increase of youth crime, doubling in the two years since the US entered World War II. With fathers off to war, women are working in the factories leaving children at home for the day or after school, unsupervised and free to get into trouble. Young men and women, some working and making an adult wage, now feel that they have the right to act and do as adults. Others are trying their hands at new thrills, such as smoking marijuana. Young women are getting into trouble by getting involved with the many servicemen that they are attracted to. This film shows how these kinds of subversive thoughts that lead to juvenile delinquency can be broken by having youths selling war bonds and organizing 4-H clubs, among other activities.
This expose of the U.S. parole system, as seen through the eyes of FBI Director J. Edgar Hoover, takes dead aim on lawyers who manipulate the justice system in order to get undeserving convicts parole from prisons. The point is made when FBI agents Scott Britton'William Henry (I)') and Ross Waring (Lyle Talbot) are assigned to track down "Big Boy" Bradmore (Anthony Quinn, who after getting an undeserved parole, via the efforts of a shyster lawyer, promptly murders an FBI agent.
Ma Webster (Blanche Yurka) and her boys rob a bank on Christmas Eve; G-men stop them with Tommy guns.
Dr. Bartley Morgan covers up his profitable illegalities with the respectable veneer of a posh, highly profitable private practice, he runs with his nurse Margaret Hopkins. The FBI agent Robert Anders has to catch on to Morgan's illicit activities.
During a stick-up, a woman (Patricia Morison) is excited by the criminal (J. Carrol Naish) and joins him on his crime spree.
