Jaakko Talaskivi
Tram driver Lauri looses his job. Shortly later, the restaurant where his wife Ilona works as a headwaitress is closed. Too proud, to receive money from the social welfare system, they hardly try to find new jobs. But they are completely unlucky and clumsy, one disaster is followed by the next. Finally, their courage, confidence, and their unbreakable love triumph over the fate.
Life of a member of the rock band Leningrad Cowboys from birth to moving away from home.
An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.
A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'.
Two men, Nieminen and Varjola, commit a mail van robbery. Varjola betrays his friend: shoots him and takes the loot. Nieminen is arrested, but he refuses to reveal his accomplice's name. On his first leave on prison Nieminen finds Varjola in a small town, where he has became the mayor. Varjola, of course, is shocked to see his old friend again.
An episode in the life of Nikander, a garbage man, involving the death of a co-worker, an affair and much more.
Anssi Mänttäri’s low-budget movies with their intimate content have become classics. In this black comedy that takes place in Helsinki in summer the main character (played by Mänttäri himself) jumps from one bar and bed to the next. Especially vulgar black humour.
Lonely ghost Mister Who goes around scaring orphan kids in this Finnish children's musical.
F*** Off! shows no false respect towards the authorities in its impudent and candid reportage of the developing country/welfare state Finland. It is a cinematic parallel to Donner's New Book of Our Land (1967). The travelogue focuses especially on Finland's outsiders, low-paid workers and the unemployed. In desolate provinces, the inhabitants of a cold and barren country either humbly abide their fate, choose to move to Sweden or take refuge in excessive drinking. These images are accompanied by protest songs based on Donner's own prose and the lyrics of poet Jarkko Laine. Perkele is embodied in big business and the political elite.The jagged (anti)aesthetics of the film correspond to the underground movement and the radical politics of the time. The camera agilely penetrates everyday life. Though opposed to censorship, Fuck Off! itself transgresses the boundaries of privacy.
Two outlaws, The Lonely Rider and the Indian Tonto, have caught (at least they think they have) Speedy Gonzales, a ruthless gunfighter from the town of Njietponimaistadi. They start to travel to another town for the reward, through the desert without water and fighting against Indians. And just to find out that they have made a full circle back to origin.
Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.
Teenager Erik returns from Paris to Finland in a rowboat and is accosted by a gang of youths in the countryside. He walks to Helsinki, returns to his parents' home and his old high school filled with angry radical teens who, typically for the era, consider the teacher-imposed discipline as another form of capitalist imperialism. Almost reluctantly Erik drifts together with Annika, a girl from a wealthy family, and starts experimenting with sex and marijuana. In the same nonchalant manner Erik gets involved in demonstrations and school politics which escalate into a violent school strike leading to police intervention and heavy sanctions.
Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.
