Jack Bravman
Chauvinist pig photographer and part-time pornographer Donnie Goodman gets transferred to another dimension where a group of beautiful alien women show him the errors of his ways in this Montreal shot sci-fi thriller.
Students at a girls' college are terrorized by spirits that haunt the institution. A haunted and disturbing horror about TV star Gina Phillips who goes to a private school and join a sorority in Montreal only to realize there is some voodoo and killer dolls in the basement.
The Watergate Plumbers, a poorly-performing college basketball team, lose their best players one by one to death and dismemberment at the hands of a mysterious masked stalker.
A carpenter, who was executed in the electric chair, comes back to finish his dream house, now inhabited by a young married couple.
Tony Washington is killed by a gang of rampant trendy teenagers. Molly Mokembe is a voodoo lady who brings him back from the dead to seek revenge on his killers so he can rest in peace.
Two "Normal" teenagers - they cut classes, get into fights and are never far from their Walkman headsets - notice a sudden change in their fellow students. No one is able to explain this zombie-like behavior which, at the command of an unseen alien, makes them punish transgressors with merciless violence.
A famous movie star filming on location in Buenos Aires becomes involved with a Manson-like cult. Years after this flopped at the box office, it was purchased by Michael Findlay and became the backbone for the notorious film Snuff (1975).
A soft-core film that explores the subject of bisexuality. To date, no known prints of this title have surfaced.
Shot without sound, this is little more than a series of soft-core vignettes strung together via narration. Not a highlight in the careers of NYC sexploitation filmmakers Michael and Roberta Findlay.
A sadistic teenager searching for "Daddy" murders and dismembers anybody who picks her up hitch-hiking. In a March 2018 interview with Rialto Report, credited director Jack Bravman admitted that Roberta Findlay actually directed this film, while John Amero confirmed Bravman handed over directorial duties, though he claims to Roberta's husband, Michael.
