Jacqueline Pierreux
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both don't know each other and both find themselves deeply involved into the social settings of the other, because the decision to change their flats is made overnight. Could be the perfect amusement, but suddenly Henry finds himself beaten up by Beatrice' lover and Beatrice is considered to be Dr. Harriston's substitute by his clients...
In 19th century, a disillusioned priest helps a young boy drifter who's a chess wunderkind to move on up in life and social structures using his talent. Years later, he's a success, but game of life and love has higher stakes than chess.
First feature film from director Guido Henderickx. During a 24-hour period an intense drama unfolds between former lovers during local fair.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
Two members of a former group of friends find themselves after many years by chance through the streets of Milan; after a moment, memories of the past resurface.
The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.
A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.
Tired of the hardship imposed by his modest salary, Don Sabino selling their meager belongings and convinces his sons to join him in the adventure of know other cities, other people and another way of living.
The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris .
César Neira, an almost forgotten actor, gets involved by chance with Teresa, a teacher from a small village in Cáceres who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people…
A Catholic priest lives in a communist country where all religious are being killed. When trying to escape is stopped by a commissioner who had been a fellow student.
Carlos, veterinary, poet, musician in his spare time and a fun-minded Don Juan,pretends to be his friend Fernando who has inherited a pharmacy in Madrid. There he meets an old girl friend that attracts him.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
A valuable painting has been stolen from an art gallery in Paris.. On a train travelling between Paris and Rome, Zutra, a mysterious and sinister character, tries to find the stolen painting.
Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.
Bitru is a carefree fellow who, one day, decides to buy a houseboat on the River Seine. He moves there and starts living surrounded by a circle of colorful friends. Among them, the daughter of an auto maker but also a group of scientists who have developed "Aqua Simplex", a device that could enable motorists to fill their tanks with... water ! Panic sets in in the automobile industry and Bitru is appointed his friends' middle man to represent them on the various car makers directors' boards.
