Jacques Tati
Tati Express dives into Jacques Tati's films and how they look at a changing world throughout the 20th century. It shows how modernity impacts human-beings and goes through that amazing body of work at 100 mph.
A French illusionist travels to Scotland to work. He meets a young woman in a small village. Their ensuing adventure in Edinburgh changes both their lives forever.
This documentary traces Jacques Tati's rise from the Parisian Music-Hall stage to his Oscar winning films of the 1950s, the documentary then explains how Tati bet all he had on his fourth film 'PlayTime' and how this mammoth film ended prematurely the career of a genius while also giving the world one of the most beautiful films ever made.
"Forza Bastia" is a 26-minute film documenting a UEFA Cup match between PSV Eindhoven and French club SC Bastia at the Furiani Stadium in 1978. Jacques Tati directed the piece at the request of friend Gilberto Trigano – the President of the Bastia club at that time. It was subsequently shelved and kept in storage until Tati's daughter Sophie Tatischeff eventually assembled the footage for release in 2002.
This short documentary from 2002, written by Jacques Tati scholar Stéphane Goudet and featuring rare archival footage, explores the genesis of the director’s hugely ambitious 1967 film production.
This is a brief bio of the life of Tati through his works. Begins with his silent period, then feature films, and shows many examples from the short films on this disc. For someone with such a limited output of work, his reach and genius was limitless.
Funny Business is a documentary style television series about the craft of comedy consisting of six 50-minute episodes. The first episode aired in the UK 22 November 1992. The show was also shown in Germany and released on video. It was directed by David Hinton. The writers were Rowan Atkinson, Robin Driscoll, and David Hinton. It was produced by Tiger Television Productions. The show featured appearances by many comedians, including Rowan Atkinson who made an appearance both as the presenter/narrator, and as an aspiring comedy actor named Kevin. Atkinson demonstrated many of the principles of comedy in a manner which was instantly identifiable to anyone familiar with his Mr. Bean character.
Interview with the French film director, conducted for television in 1978.
Interview with French director Jacques Tati, focusing on his on-screen persona, Monsieur Hulot. Produced for the British television series "Omnibus".
Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.
Seven short films: On demande une brute (1934), Gai dimanche (1935), Soigne ton gauche (1936), L’école des facteurs (1946), Cours du soir (1967), Forza Bastia (1978), and Dégustation maison (1978) written or directed by Jacques Tati.
Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.
Jacques Tati teaches an acting class about the subtleties of certain types of people to a group of eager (but not very talented) students.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.
Jacques Tati plays a French postman adamant to prove he can be just as fast as American postmen at delivering mail.
In France during World War I, Marthe waits for her husband, Jacques, while he fights on the front lines. Marthe then begins a tempestuous affair with 17-year-old François, with whom she had a dalliance before marrying Jacques. Jealous François struggles with the fact that Marthe is married, while she tries to prove her devotion to her young, hotheaded lover. Things become even more complex when Marthe becomes pregnant with Jacques' baby.
A teenager becomes fixated on the handsome suitor who died in a duel for her grandmother's love. On her sixteenth birthday, her uncle oversees three men who pretend to be the ghost of the suitor to entertain her - but little do they know, the ghost of the suitor himself is roaming the castle halls......
Roger, son of a farmer, wants to be a boxer, and gets his chance by filling in for a boxer's sparring partner. However, Roger does not know how to box and reads a rule book while in the ring.
Jacques Tati and his friend Rhum star as down-and-outs (very much their situation in reality at the time) who try to generate funds by providing an impromptu leisure tour in a rickety bus they wangle use of for free.
A tall, shy and reserved young actor accidentally signs himself up for a wrestling match.
