Jaime Segura

Madrid, 1924. A ne'er-do-well in his 30s, perpetual disappointment to his aging military father, hatches a plan to rob the mail train to Andalusia. He intends the hit to be bloodless, but complications arise soon.

After two bank robbers take hostages, one of them rapes the bank cashier and then tries raping Sylvia (Sylvia Kristel), the bank manager. The other robber is Ricardo, the bank president's son and brother of Julio, Sylvia's fiancé. Can Julio free his fiancé and the other hostages?

A story of a family whose father tries by all means to maintain the strictest ethics and morality ... or at least appear so. His beautiful young daughter tries to emancipate hereself and looks for a job, but the chance is that the first thing that comes out is underwear seller. She starts to work and problems start for all.

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.

Benito a railway switchman, one day hears a bugle call and go across a squad of American riders. Fearing an invasion, will look for help, but no more than the making of a film. The appearance of Benito on the set coincides with an explosion of dynamite that does blow. That's how Benito enters into contact with the amazing world of cinema.