James Ferman
Documentary about the Emmanuelle movies, looking at their making as well as their social and cultural impact.
Zodiac was a six-part series transmitted by ITV in 1974. Starring Anton Rogers and Anouska Hempel as a cynical detective, David Gradley and Esther Jones, his astrologer assistant, the unusual astrological premise set this show apart from the humdrum detective dramas of the time. Little seen since its original transmission, the series has garnered something of a cult status Written by erstwhile Avengers scribe Roger Marshall, who was also behind the excellent but low-key Public Eye, this series has an unusual, almost claustrophobic feel to it. The action rarely ventures outdoors. The studio based ‘back yard' seems a little too false to be taken seriously, though as with many programmes of this vintage, you forgive the production values and concentrate on the stories being told. On the whole, the stories are intriguing in their complexity and have a good sense of pace. Each episode title makes reference to a specific star sign. A shame then, they only made six shows as twelve would have given them the full zodiac of titles.
Edward G is nothing like a film star; his life has been ordinary - until now. But he's just had a shattering experience.
Orson Welles' Great Mysteries was a British television series The series was an anthology of different tales. Each episode was introduced by Orson Welles, who was the only regular actor in the series. In the opening titles, Welles would be shown in silhouette as he walked through a hallway towards the camera, smoking a cigar and outfitted in a broad-brimmed hat and a huge cloak, the outfit itself being a nod to his having provided the voice of The Shadow in the radio program. When he actually appeared on-screen to introduce the episodes, his face would be all that would be shown, in extreme close-up and very low lighting.
When Len Shelton retires from a life of work in the coal mines, he turns to his first love - pigeons, which become a symbol of hope for him.
Play with the subject of baby battering. NSPCC social worker Margaret Ashdown is given the case of investigating into the Gosse family, when the young mother, Sheila, is unable to explain her baby's fractured skull at the hospital. She discovers the family live in poverty and ignorance, and have a tradition of instability.
Jimmy Nicholson returns from working in the Middle East to visit his son at boarding school. He went to the same public school himself and is disturbed to find that things have changed and the traditions by which he has always lived and been guided now seem to be obsolete.
Peter Barkham hero-worships his distinguished father. However, this is threatened by the intrusion of events and people from his father's wartime past.
Thirty-Minute Theatre is an anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was initially produced by Graeme MacDonald. Thirty-Minute Theatre followed on from a similarly named ITV series, beginning on BBC2 in 1965 with an adaptation of the black comedy Parsons Pleasure. Dennis Potter contributed Emergency – Ward 9, which he partially recycled in the much later The Singing Detective. In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour. As well as single plays, the series showed several linked collections of plays, including a group of four plays by John Mortimer named after areas of London in 1972, two three-part Inspector Waugh series starring Clive Swift in the title role, and a trilogy of plays by Jean Benedetti, broadcast in 1969, focusing on infamous historical figures such as Adolf Hitler and Joseph Stalin.
The Wednesday Play is an anthology series of British television plays which ran on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured. The series gained a reputation for presenting contemporary social dramas, and for bringing issues to the attention of a mass audience that would not otherwise have been discussed on screen.
A small construction company's new year's eve party is taken over by a crook who has intricate knowledge of the men's private lives, forcing them into an incredible bank robbery plot.
