Jan Chapman
As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.
In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.
Can you really get away with murder? Welcome to the world of Katrina, a 19-year-old single mum who's planning to do just that. Katrina lives in a world of petty crime, fast cars, manicures and blow-jobs. A master manipulator of men living at home with her father in suburban Golden Grove, Katrina will stop at nothing to get what she wants - even murder.
Australian teenager Heidi is left with little choice but to leave home after she's caught red-handed with her mother's boyfriend. With few options, Heidi ends up in Jindabyne, a tourist community. Upon meeting Joe at a bar, she pursues a relationship with him and tries to find something resembling a normal home life. Heidi makes small strides by getting a job and finding a place to stay, but her relationship with Joe must overcome more than its share of hurdles.
The 40 minute Nature of Lantana feature stands out as a great example of how to produce a feature for DVD. It complements the viewer’s intelligence and doesn’t dash about in 12 second cuts. Better still, it allows the interview subjects (cast and crew) to speak long enough to give a really well rounded backdrop to the film’s themes and characters.
Plagued with grief over the murder of her daughter, Valerie Somers suspects that her husband John is cheating on her. When Valerie disappears, Detective Leon Zat attempts to solve the mystery of her absence. A complex web of love, sex and deceit emerges -- drawing in four related couples whose various partners are distrustful and suspicious about each other's involvement.
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.
In Sunray, a backwater town on Australia's Murray River, there's little to do but fish or listen to the local radio station. D.J. Ken Sherry arrives from the hustle of Brisbane to run the station; he's mid-40s, detached, thrice divorced, hatchet faced. But both sisters next door find him attractive: awkward Dimity, only 20, who works in a Chinese restaurant with few patrons, and perky Vicki-Ann, a hairdresser with a hope chest who invents a happy future with Sherry based on little but his arrival. First Dimity then Vicki-Ann spend the night with Ken, one concluding he's her boy friend, the other her fiance. Then Dimity begins to smell something fishy.
Interviews with women directors working in Hollywood and Europe today, exploring the opportunities and obstacles that face them. Program made to accompany a Channel 4 season of films directed and produced by women.
The story of sisters Vicki and Beth, when Vicki begins an affair with Beth's intriguing French husband.
The story of the end of a friendship between two teenage girls, told backwards over the course of nine months.
A fragmented film, largely following street performer George Shevtsov at the 1970 Vietnam Moratorium, the Odyssey Pop Festival at Wallacia in 1971, and street theatre sneezing for lunchtime crowds. The film then takes a darker turn, contrasting audio from a court case with footage of police.
