Jan Coster
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Becker runs a business in Tingsryd, Sweden, specialized in garden furniture. In fact he sells everything you can make a profit from, including black labour from the Baltic countries. Becker, who is driven by his obsession with money and consumption, has built a local empire with his lucrative business. Now his business is being threatened, both from the in- and the outside.
Mariken Halle first asked around her neighborhood if she might make a school film about one of her neighbors. When that didn’t work, she and her small film crew began addressing people on the streets of Göteborg. How would they imagine a movie that they would want to star in? The results were far from fantastic – she encountered dismissively amused responses and boring, confused ideas. But some of the people she talked to were different. They try getting into their “life role” – and she begins to direct them....
Three different types of people end up at the same table at the same bar. Stefan will talk about Thailand. Jeppe will talk about his son. And Mia will write everything down. A film about how different interests crashes, meet and crash again.
15-year-old Ida lives with her mother in Rossö in the Strömstad archipelago. Over the course of three stormy days, her life is turned upside down. She has a strained relationship with her mother, a non-existent relationship with her father and is let down by her best friend. —Maria Eriksson
A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace hides from the criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
