Jan Kiepura

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

A prima donna hires a man to pretend to be her lover so as to protect her from an unwelcome suitor. Unbeknownst to her, he is a tenor in disguise.

7/10

A group of struggling artists, poets, and musicians struggle to survive in squalor without giving up their artistic ideals.

René and his two artist friends lead a meager but careless life in a Parisian small apartment, their main worry being to avoid the housekeeper. Whenever they get some money they call more friends in and celebrate. This is how he meets beautiful but fragile Denise, who wants to be a singer as himself, and they fall in love. Yet when she finds out her real condition she takes a drastic decision which will determine their fates. La Bohème arias, and more.

6.7/10

After being introduced to the world of opera, a fisherman (Jan Kiepura) falls for a woman (Swarthout) whose guardian is a noted composer (Philip Merivale). They met when the fisherman evaded the police by seeking refuge in the village church. While there, they are each captivated by hearing the other singing Mass. The beautiful woman falls in love with the fisherman with the wonderful voice.

7/10

Riccardo Gatti, an Italian opera singer and lover-divine with voice to match, is the idol of all the women in Vienna,and is the man every woman is after. So, what's wrong with Mary Newberg, who keeps running away from him ?

5.6/10

Director Rosé and his opera company travel to Monte Carlo where they expect an engagément to perform at the opera house. During the boat trip Mario, the cheerful tenor, meets a girl hidden in his cabin. He helps her singing for her passage and soon Nicole is adopted by the whole troupe. Then at Monte Carlo the opera director has no intention to sign them. But he has an eye for beautiful women, so Nicole will try to persuade him to reconsider the offer.

5.9/10

An opera company tries to get an engagement.

6.1/10

Film by Joe May.

7/10

An opera singer takes a holiday. French language version of The Song of Night (1932).

6.1/10

He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight

6.8/10

An Italian operatic tenor is dominated by his female business manager.

6.1/10

A tourist guide in Naples is taken on by an English woman impressed by his singing, and who regards him as her protege.

6.5/10

A tourist guide in Naples is taken on by an English woman impressed by his singing, and who regards him as her protege. This film was released as a German version and English Version known as "The City of Song". Brigitte Helm once portrays a beautiful femme fatale who displays her affection and lust for her tourist guide which is paralleled with the main bodied theme of the early romanticist songs played throughout.

6.2/10

Musical comedy. An opera singer falls for a stowaway on the way to Monte Carlo

5.5/10