Jean-Pierre Kérien
France, 1965. A man with many names, an exiled Spanish Communist in his forties, begins to accept the futility of his long struggle against the dictatorship of General Franco, who has suffocated his country with an iron hand since the end of the Civil War in 1939, when he learns that some of his comrades who work undercover in Spain are being cornered by the authorities. (Followed by “Roads to the South,” 1978.)
A chamber drama about a widow and her son who live in an antique shop in Boulogne. The widow invites a man whom she loved twenty-two years earlier to visit. Her son is haunted by Muriel, a young woman whose death he may have caused while serving as a soldier in Algeria. As in Resnais' earlier films, memory is deflected, fragmented, enshrined, and imagined.
Police inspector, Landais (Roger Hanin) is caught in a tough situation. Daniele (Danielle Darrieux) has murdered her husband, yet after the inspector starts investigating the case, he is completely overcome by her. Her obvious attractions have him in thrall and eventually he realizes he will do anything not to lose her. His solution is to cover up for her crime, after which things begin to go poorly.
September Storm is a 1960 American adventure film directed by Byron Haskin. American fashion model Anne Traymore, swimming off the isle of Majorca, loses a bracelet, which the handsome Manuel del Rio Montoya returns to her. She believes he owns a beautiful yacht called The Swan, but he merely works on it for the wealthy Rene LeClerc.
The survivors of a forced landing progress in a hostile African bush.
A bunch of losers who can afford the price of the boat travel to Marseille are hired by a blonde woman for a mysterious mission in the jungle.
Barbara Laage essays the title role in Zoe. Our heroine's adventures begin when she catches the eye of a big-city playboy named Arthur (Michel Auclair), who is attracted not only to Zoe's beauty, but by her insistence upon telling nothing but the whole truth. This trait causes no end of comic complications when Zoe moves into the palatial home of Arthur's family. The limit comes when Zoe botches a big business deal formulated by Arthur's not-altogether-honest father (Louis Seigner). Zoe is based on a stage farce by Jean Marsan.
Smuggler's Ball is the English-language title for this French-Belgian seriocomedy. The action takes place along the borders separating Belgium, Holland and France. It is here that the worldly Pierre (J. P. Kieran) carries on a profitable smuggling operation, all the while romancing Siska (Christian Lenier), the daughter of a local customs official. Various subplots and secondary characters weave in and out as the plotline guides the viewer through the WW II years. Towards the end, the story shifts gears when the Benelux Frontier Agreement eliminates all government regulations. The film's screenplay is by Charles Spaak, himself the descendant of a Belgian political family, and thus well-versed in bureaucracy and red tape.
Le Havre, France, in 1949. In a town that still shows the scars of war, several friends meet up in Albert's café. One of them, Laurent, has lost his job on the docks and his marriage to Madeleine is falling apart. He knows that his wife wants to start an affair with friend, Jean Sauviot. Jean is a lonely man who is attracted to Madeleine but doesn't want to commit himself to the wife of a friend. On the day that Madeleine tells her husband that she is seeing Jean, Laurent goes looking for Jean to find an explanation. Arriving on the docks in the evening, he attacks an American sailor who looks like Jean, but the man fights back and runs away after killing Laurent accidentally. Madeleine thinks that Laurent was killed by Jean and believes that she can start a new life with her lover. The police have other ideas...
Mr. Gustave Bourdillon loves hopelessly the wife of the director of the institution where he is the only teacher. Soon a widow, the pretty wife of Mr. Calumet, agrees to marry the brave professor, but believes each onstant that her husband has returned in the form of his brave little dog Medor. After incredible situations and an immeasurable pursuit, Gustave Bourdillon and widow Émilie will live a deserved happiness.
A plucky businesswoman agrees to receive love letters to a prefect’s wife from a young official, and soon finds herself embroiled in a scandal that inflames a town’s class tensions.
