Jean Renoir
Anthology film by three directors, "A Day in the Country", "Jofroi" and "The Miracle".
The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.
This portrait of the world-famous French director based on his personal correspondance reveals the little known insurgent side of his personnality. Featuring interviews with close collaborators, friends and family, this definitive documentary tells his intimate story, from the streets of Paris to the filmmaking accolades and high profile marriages at the height of his career.
Edited from 4½ hours of unused material left over from the shooting of Jean Renoir's 1936 PARTIE DE CAMPAGNE (A Day in the Country) and donated by the producer Pierre Braunberger to the Cinémathèque Française. Re-edited for a new version, much of the film is shot with synchronised sound with Renoir's voice instructing and guiding the actors.
Norman Lloyd directed this televised production of Jean Renoir's World War II-era play. Taking place backstage at a theatrical performance in Nazi-occupied France, Carola is a tale of passion and intrigue that involves a beautiful stage actress and her emotional and psychological struggles over a Nazi officer, whom she is entangled in an affair with, and a Resistance leader whom she is hiding. Featuring Leslie Caron as Carola, the play also stars Mel Ferrer, Albert Paulsen, Michael Sacks, Carmen Zapata, and Anthony Zerbe.
A tennis champ falls in with the Hollywood crowd, finds himself being corrupted by the life in the fast lane.
Part One, "The Last Christmas Dinner," is about the relationship between an old man and an old woman, both homeless. Part Two, "The Electric Floor Polisher," is an opera-like story of a woman who is obsessed with polishing her floors. Part Three is a musical interlude featuring Jeanne Moreau singing "When Love Dies." Part Four, "The Virtue of Tolerance," concerns an old man, his young wife, and how they come to terms when she has an affair with a man her own age.
A example of Jean Renoir's talents as a director as he works Gisèle Braunberger into the right frame of mind.
In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.
Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.
Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon
The story serves as a companion piece to Renoir's 1937 film, Grand Illusion, once more bringing together men from across the broad social spectrum of French society to depict one man's Sisyphean efforts to escape captivity in a German POW camp.
Three-part interview with French film director Jean Renoir, conducted by French New Wave director Jacques Rivette.
Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.
Etienne Alexis, a candidate for president of the new Europe, is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. To celebrate his engagement to a cousin, he hosts an aseptic picnic, where mother nature asserts herself. A shepherd's flute conjures a windstorm that throws Alexis together with the luscious Nénette, a farm lass who wants to have a baby but is unimpressed with men.
Set amid the military maneuvers and Quatorze Juillet carnivals of turn-of-the-century France, Jean Renoir’s delirious romantic comedy Elena and her Men stars a radiant Ingrid Bergman as a beautiful, but impoverished, Polish princess who drives men of all stations to fits of desperate love. When Elena elicits the fascination of a famous general, she finds herself at the center of romantic machinations and political scheming, with the hearts of several men—as well as the future of France—in her hands.
Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 16th-century Peru.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
A Coast Guardsman suffering from Post-Traumatic Stress becomes involved with a beautiful and enigmatic seductress married to a blind painter.
Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?
Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers?
A missionary tries to outwit the U.S. government and smuggle Chinese orphans into the country.
Somewhere in Europe, in a city occupied by the Nazis, a gentle school teacher finds himself torn between collaboration and resistance, cowardice and courage.
A hunter happens upon a fugitive and his daughter living in a Georgia swamp. He falls in love with the girl and persuades the fugitive to return to town.
Dupuy, the first officer of the Cristobal, a French merchant ship, is informed by cabaret dancer La Rubia that the Cristobal carries a priceless secret cargo of gold. Based on the novel by Albert t'Serstevens.
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
On board a train bound for the port city of Le Havre, France, railroad stationmaster Roubard murders Grandmorin, who seduced his beautiful young wife, Severine. Engineer Jacques Lantier, stuck in Le Havre while the train is being repaired, also begins a passionate affair with Severine, who tries to entice the handsome stranger to murder her controlling husband. However, Lantier has a secret urge of his own that changes everything.
A film about the early part of the French Revolution, shown from the eyes of the citizens of Marseille, counts in German exile and, of course, the king Louis XVI, each showing their own small problems.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
A propaganda film made during the Spanish Civil War in support of the Republican government against the rebellion by Gen. Francisco Franco's forces who were backed by Nazi Germany and Fascist Italy. The film would have been seen by those making it as a documentary.
A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.
Inhabitants of a flophouse struggle to survive under the harsh treatment imposed by the landlord, Kostyleva. One resident, young thief Wasska Pepel, ends his affair with the landlord's wife, Vassilissa, and takes up with her sister, Natacha. Pepel also befriends the baron, a former nobleman fallen on hard times, but Pepel's attempts at happiness are complicated when he's accused of murder by a spiteful Vassilissa.
A man and a woman arrive in a cafe-hotel near the belgian frontier. The customers recognize the man from the police's description. His name is Amedee Lange, he murdered Batala in Paris. His lady friend Valentine tells the whole story : Lange was an employee in Batala's little printing works. Batala was a real bastard, swindling every one, seducing female workers of Valentine's laundry... One day he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. But the plot is less important that the description of the atmosphere just before the Popular Front.
The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.
In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down permanently - like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, love, or enmity, and Toni gets entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.
In 1932, Michel Simon plays in "Boudu sauvé des eaux" under the direction of Jean Renoir.Three years later, he was again invited to don the clothes of the famous tramp on the sets of Boulogne.
Soon after the death of his first wife (whose dowry was inadequate), Charles Bovary, a country doctor in Normandy, marries Emma Rouault. In her new home, Emma finds conflict with her mother-in-law, a husband uninterested in the social whirl, and general discontentment; thereby proving an easy conquest for philanderer Rodolphe. Other lovers follow. Does tragedy await?
François Chotard , wholesale grocer , gives his daughter in marriage to Julien Collinet , a writer who prefers dreaming to working - a situation conducive to quarrels between the son and the father- in-law. Until the day when Julien receives the Prix Goncourt, prestigious literary award . Chotard has a sudden change of heart.
Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, Edouard Lestingois. The Lestingois family decides to take in the irrepressible bum, and he shows his gratitude by shaking the household to its foundations. With Boudu Saved from Drowning, legendary director Jean Renoir takes advantage of a host of Parisian locations and the anarchic charms of his lead actor to create an effervescent satire of the bourgeoisie.
A gang of thieves utilize a cross-road garage as their hideaway; after accidentally murdering a jewel thief, the heat is on.
Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and make her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money.
A little boy won't go to the bathroom, which leads to all sorts of complications for his parents and their friends.
This is 1929: the little red riding hood is still with us and her life is more complicated than ever. She still has to go through the forest and she once again comes up against a wolf. This time around the big bad wolf has become a lecherous tramp who keeps stalking the girl trying to wolf her down ... in his own way of course.
Rival knights compete for the hand of a beautiful maiden in this period feature from Jean Renoir, unfortunately only available in truncated form.
On a cold New Year's Eve, a poor girl tries to sell matches in the street. She is freezing badly, but she is afraid to go home because her father will beat her for not selling any matches. She takes shelter in a nook and lights the matches to warm herself. In their glow, she sees several lovely visions including a Christmas tree and a holiday feast. The girl looks skyward, sees a shooting star, and remembers her deceased grandmother saying that such a falling star means someone died and is going into Heaven. As she lights her next match, she sees a vision of her grandmother, the only person to have treated her with love and kindness. She strikes one match after another to keep the vision of her grandmother nearby for as long as she can. The child dies and her grandmother carries her soul to Heaven. The next morning, passers-by find the dead child in the nook.
The tale of a rich, flaky poet and his servant who both join the army and wind up in the same barracks.
Le P'tite Lili is a short film directed by Alberto Cavalcanti in 1927. This is a visual illustration of a song, The Lady of gravel and Benech Lilie, with music for the audio version of 1930 by Darius Milhaud. Only one original copy of this tragic story and impressionistic. The film tells the story of Lili ( Frau Catherine Hessling ), a 16 year old orphan who has lost her whole family but has retained her purity and innocence. Alas, a terrible doom awaits this optimistic child: in the slums of Paris she will meet a man who will lead her into prostitution.
Shot in three days, this surreal, erotic silent short shows a native white girl teaching a futuristic African airman the Charleston dance.
A government official, Count Muffat, falls under the spell of Nana, a young actress. She becomes his mistress, living in the sumptuous apartment which he provides for her. Instead of elevating herself to Muffat's level, however, Nana drags the poor man down to hers - in the end, both lives have been utterly destroyed.
Jean Renoir's directional debut and first silent film stars his wife, Catherine Hessling, as a young girl who manages to turn her tragic family life into one of joy and happiness.
Interesting first (silent) movie from Renoir he realized so his wife could have the leading role of Catherine. The movie became an object of quarrel between Renoir and Dieudonné who directed this vehicle together and each played also a part in the movie. Was this a Renoir movie or one of Dieudonné, reducing Renoir to its pupil? The dispute became so heavy 2 versions exist, one cut by Renoir and one by Dieudonné. However the themes are so typically Renoir that I question the claim of the co-director. Like in so many other Renoir movies you see a picture of the relationships between masters and servants, with a clear sympathy for the servants and a great dislike for the hypocrisy of the ruling classes. Also the contradiction between order and disorder (major theme in the complete oeuvre of Renoir) is already present in this first attempt to make a movie.
