Jeong Jin-wan
Set in the late 15th century during the reign of King Yeonsan, two male street clowns and tightrope walkers, Jangsaeng (Gam Wu-seong) and Gong-gil (Lee Joon-gi), are part of an entertainer troupe. Their manager prostitutes the beautiful Gong-gil to rich customers, and Jangsaeng is sickened by this practice. After Gong-gil kills the manager in defense of Jangsaeng, the pair flee to Seoul, where they form a new group with three other street performers...
When Joong-Pil, the biggest bully in his high-school by far finds himself harboring feelings for a classmate, his entire identity is thrown off balance. Suddenly his smoking, his drinking, his constant swearing and his habit of pushing underclassmen into walls don't seem like good habits anymore. Without his nastiness, who is he? He might just like this girl enough to find out, if he can figure out how.
Gyung-sun is a washed-up cab driver who has been trying to go straight after years in trouble with the law after being a big-time safecracker. Soo-jin wants to be a famous singer, but lives the life of a trophy girlfriend to her vicious gangster boyfriend. An unlikely situation cause these two different women to meet where they plan a daring solution to both their problems that will escalate and threaten the wrath of many powerful and corrupt people around them.
Gilnam, a diligent taxi driver plans to propose to his girlfriend, Yu-jeong. However, when Gilnam takes off to meet Yu-jeong with armful roses, he gets in a hit-and-run accident and dies on the spot. One night, forty-nine days later, in a graveyard, a set of headlights emerges. A mysterious taxi drives off into the city. The driver of this taxi is none other than Gilnam, but he is no longer a part of the living and he races through the city streets in search of his beloved.
The film originates from the great river story Taebaegsanmaek consisting of 10 volumes and is written by Cho Jeongrae. The story tries to describe and reveal a few generations-lasting conflicts between the haves (proprietors) and have-nots (peasants), which develop into right wings and left wings respectively. While revealing why and how the conflicts come about, the story depicts every corner of real life -- romantic, shamanic, and Confucian aspects of the contemporaries.
