Jerry Masucci
When, in 1961, West Side Story hit the screens after conquering Broadway, it was the entire Puerto Rican community of New York, ostracized and deprived of the American dream, that feverishly gained visibility. From Spanish Harlem to the Bronx, where poverty, drugs and gangs are rampant, Latino music and dance will then carry the identity revolution, the barrio setting itself on fire and undulating to Afro-Caribbean rhythms, led by "the king of timbales" Tito Puente. Soon mixed with soul, jazz and blues of the black neighbors, who share suffering and stigma of racism, the genres multiply: mambo, rumba, cha-cha-cha, merengue, boogaloo. All the Hispanics of Central and South America joined the movement.
Singer-turned-boxer Andy 'Kid' Clave signs a contract with a shady promoter Joaquin Vargas. But Clave turns against Vargas when the promoter's thugs kill Clave's girlfriend when he thinks about backing out of the contract. While seeking a way to get revenge against Vargas, Clave learns that he has a blood clot in his head. But nothing will deter him from getting his revenge and making a shot at the title.
