Jerzy Wójcik
About a sound designer for films who years ago, while in bed with his mistress, failed to respond to calls for help outside his door. Now during the recording of the audio track for a new film he begins to hear strange noises on his headphones.
Young former partisan recalls his war experience during a trip to the sea.
Following With Fire and Sword', this is an adaptation of the second and most spectacular part of Sienkiewicz's trilogy of warfare, romance, and derring-do. With war raging across Europe in the 17th century, a dashing warrior fights for the heart of a young gentlewoman. With almost four hundred actors, thousands of extras and twenty three thousand costumes, this is one of the most popular films in Polish cineman and received an Oscar nomination for Best Foreign Feature.
Westerplatte is a small peninsula at the entry to the Gdansk Harbour. Before World War II, it functioned as a Polish ammunition depot in the Free City of Danzig/Gdansk. Its crew consisted of one infantry company and a group of civilians, 182 people in total. It was the only Polish guard-post at the mouth of the Vistula River, with as little as five sentries, one field cannon, two anti-armour guns and four mortars. It was the first obstacle to Hitler's predatory march across Europe. The first shots of World War II were fired here. This film tells the story of Westerplatte's courageous defenders.
Sampson is one of several Andrzej Wajda films harking back to his youth during the Nazi Occupation of Poland. Many of these concern not only the struggle between good and evil, but also between passive and impassive. The hero is a Jewish youth. He, like his family, has always been silent and undemonstrative in the face of prejudice. Now he stands up for his right to survive, and in so doing represents the fighting spirit that culminated in the 1943 Warsaw Uprising. It was originally titled Samson, but re-spelled as Sampson upon its American release to avoid confusion with a sword-and-sandal epic of the same name.
Set in the 17th century. A convent in a small town is being visited by high-ranking Catholic official trying to exorcise the nun supposedly possessed by demons. A local priest have been burnt for creating this condition by sexual temptation of the nuns, especially the Mother superior who bring on the collective hysteria of the group. There is another young priest who is to help with the exorcism. His first meeting with the convent head, Mother Joan of the Angels, has her seemingly possessed by Satan - she yells blasphemies and incites the priest. She begs the priest to save her and to help her to be a saint.
"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."
It's May 1945, and Nazi Germany has just surrendered. The war is over, but not in Poland. As the German soldiers vacate, the remaining Russian forces and Polish resistance fighters must work out the hierarchies of power in "liberated" Communist Poland. A Polish assassin is given orders to kill a Russian soldier whom he, days before, was fighting alongside, and this moral conflict makes him question the goals for which he has been fighting.
Two sketches covering episodes from the World War II. In the first novel, "Scherzo alla polacca", a shrewd son, trying to preserve his skin, ultimately becomes a hero and finds a reason for fighting. He initially tries to avoid underground training to avoid the Warsaw uprising. His drunkenness, disregard for safety and cowardice when sober stated with humorous effect come out as something sane in the world gone mad. His will to survive is more acceptable than any desire for heroic death. The second novel, "Ostinato lugubre", details a hopeless attempt at escape from a prison camp by a man who can no longer stand the confinement and idiocy of the professional soldiers trying to keep up the military preneses in prison. Nevertheless, his escape boosts the morale of his fellow prisoners, while the "escapee" lies hidden from Germans and comrades alike." From Polish Cinema Database
A group of young Lódz hoodlums spends their time shoplifting, partying and drinking heavily, until they are faced with serious consequences of their reckless behaviour.
In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, the station master, believes Orzechowski was a saboteur; at least one on the inquiry panel agrees. Zapora, the young engineer on the train that hit Orzechowski, gives more complicated testimony about the dead man - stiff-necked, proud, imperious, critical of Zapora and other younger workers. The signalman at the crossing where Orzechowski died also testifies. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?
During the last few days of the Warsaw Uprising following World War II, a modest group of Resistance members remains. The band must take refuge in the sewers under the orders of leader Zadra, but it's only a matter of time before they will have to emerge. However, when they try, they are met only with intense hostility from the Nazis. Despite their attempts stay resolute through immense mental strain, it becomes increasingly apparent that they may be doomed.
