Tianliu Jiang

After graduating from a Shanghai nursing school, Jian Shuhua decides to work at a construction workers’ clinic in a remote area, despite the objections of her fiancé Shen Aoru. When she arrives at her new workstation, she finds that one of the clinic directors, Mo Jiabing, pays more attention to his love affair with nurse Gu Huiying than to his work. In addition, Gu’s jealousy is aroused by the arrival of the new nurse. Jian, then, the epitome of the selfless worker, has to deal with a faraway and egotistic fiancé, a selfish and lecherous boss, an unfriendly colleague, as well as the hardships of a remote and barren workstation. How can she succeed?

The life-story of Wu Xun, a beggar in the Qing dynasty who set up free schools for poor children.

An absorbing example of genre filmmaking in the People’s Republic of China, Husband and Wife could at first glance be mistaken for any other romantic melodrama chronicling the rise and decline of a married couple’s love; here, though, that love takes place in (and is entirely defined by) a realm of political upheaval and Maoist ideology. A Shanghai intellectual marries an illiterate peasant woman–turned–collectivist hero, with outcomes both universal (differences emerge) and specific (revolutionary self-critiques). At first a popular hit, the film (and Zheng himself) was soon critically attacked for counterrevolutionary, pro-bourgeois thought. Zheng even penned a confessional autocritique, but the damage to his career was done. (BAMPFA)

Before the liberation of Shanghai, Nationalist agent Zhang Rong is ordered to blend in with the captive workers of the Baotong Mill and wait for a chance to act. After the liberation, he returns to the factory, disguising himself as a far-left agitator and causing friction between the workers and management.

Have no other info than it was part of Hong Kong Film Awards' 100 Best Chinese Movies.