Jim Dickinson
This classic concert features a number of tracks from his new album coupled with favourites from across his career including Folsom Prison Blues, I Walk The Line, Ghost Riders In The Sky, Orange Blossom Special and San Quentin.
In 1973, photographer William Eggleston picked up a Sony PortaPak and took to documenting the soul of Memphis and New Orleans.
A Russian woman living in Memphis with a much older rock-n-roll legend experiences a personal awakening when her husband's estranged son comes to visit.
Raven Shaddock and his gang of merciless biker friends kidnap rock singer Ellen Aim. Ellen's former lover, soldier-for-hire Tom Cody, happens to be passing through town on a visit. In an attempt to save his star act, Ellen's manager hires Tom to rescue her. Along with a former soldier, they battle through dangerous cityscapes, determined to get Ellen back.
A corrupted border agent decides to clean up his act when an impoverished woman's baby is put up for sale on the black market.
Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.
