Jiří Bábek
Czech Century brings the key moments of the history of the Czech nation from 1918 to 1989.
This unofficial Czech remake of Alexander Payne's blockbuster seriocomedy Sideways (2004) concerns Jirka and Honza, two friends who check in as complete opposites on every level; Honza is a polished urbanite, Jirka a nickel-and-dime crook with a flair for wooing women. The men's friendship is characterized by an unending series of wild schemes and escapades. When Honza learns of his grandfather's impending death, it brings him face-to-face with his own mortality and encourages him to fulfill his long-held dream, while he still has the opportunity: to embark on a dream vacation to the vineyards of Morovia, with buddy Jirka in tow.
This romantic comedy presents a story of two women, twenty-year-old Laura, an editor at a woman’s weekly, and her widowed mother, a translator-interpreter named Jana. The two of them tirelessly seek Mr. Right. Having once lived through an intense relationship with a ‘typical’ Czech man, Jana intentionally avoids Czech men. She searches for her dream foreigner while long-sufferingly warding off the tragicomic advances of her good-natured neighbor Žemla. After several unsuccessful attempts, Laura falls in love with Oliver, a forty year old who works as an ad agency idea man. Little does she suspect that twenty years ago Oliver was Jana’s true love…
A parable for the end of totalitarianism. Three protagonists - a high official, a secretary, and a border guard - representative of three generations (1948, 1968, 1988) are forced to confront their ideals and places in society through the events of one strange night.
The second full-length film of director Dusan Rapos. It was based on Eleonora Gasparova's novel of the same title. The director tells a story about the life and troubles of young people living in the city. The teenagers have to face real life, make their first major decisions, and learn that romance sometimes brings disappointment. The original Slovak music composed for the film by Vaso Patejdl contributed greatly to the film's atmosphere. It helped to make The Fountain for Suzanne a legendary picture of Slovak cinematography at the time.
