Joachim Kemmer
Four aging animals, a dog, a cat, a donkey and a rooster escaped from their former homes because of they weren't as productive and useful for their owners as they used to be. To avoid death they all moved out to Bremen to find a better life...
Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.
Jojo (Peter Lohmeyer) was counting on his inheritance from a rich uncle to pay off his gambling debts, but the old man played a dirty trick on him, giving him custody of an oversized dog, and leaving the real cash in the hands of one of his neices. His comfortable fantasy of future solvency has been sorely tried; to restore it, he begins to try wooing his cousin Kathrin (the woman with the loot). However, as things progress, he finds himself actually falling for her, which is perhaps the only really decent thing that he's done in his adult life. When he and a gambling buddy take Kathrin (Anica Dobra) on a jaunt to the south of France, things get pretty dicey when a corrupt cop comes onto the scene. In this romantic thriller, only one will survive.
Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"
In the conclusion of Axel Corti's trilogy (following God Does Not Believe In Us Anymore and Santa Fe) Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception. This acclaimed, brilliant work is one of the great films of all time.
Meier, a paperhanger in East Berlin, inherits from his father in West Berlin. With this money he wants to fulfil himself the dream of his life: a journey around the world. He buys a forged West German passport and pretends to go on a trip to Bulgaria while he really is off to see the free world. When he wants to return to East Berlin he finds himself in an unbelievable predicament and his double life begins. He can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis. It's a light comedy, which won several national Film Academy Awards. The film is very political, with lots of political jokes/innuendos which only Germans will understand. One is left feeling what a total obscenity that stupid Wall was, dividing one people for 30 years (1-2 Generations) simply by the coincidence on where you just happen to be in the early morning on the 13th August 1961.
A brothel owner is questioned in the disappearance of the daughter of a wealthy man after she is still not returned, or told of her possible whereabouts, after the $5,000,000 ransom was paid.
Massage parlors are spread all over the world. Masseuses advertise even in "serious" newspapers in order to loose up every muscle. This movie reports about the experiences in the massage parlours of Rome, Bangkok, Paris, Copenhagen, Vienna, Zurich, Stockholm, Berlin, Nice and Munich. There is more truth in it, then you would believe.
An American actress inherits a castle in Transylvania. What she doesn't know is that her ancestor, the Baroness Catali, was in actuality a vampire countess, and emerges from her tomb to ravage the nearby village and Catholic seminary.
