Joachim Lafosse
Sybille, a divorced mother, who refuses to accept that her 18-year-old son, Samuel, is sinking into violence. Prey to her own past and present demons, she decides to take Samuel on a long trip to Kyrgyzstan. Accompanied only by their two horses, mother and son go on an adventure where they will face the dangers and surprises of nature, which is spectacular, hostile and beautiful. Beyond encounters with the Kyrgyz people, the trip will provide the opportunity for an inevitable confrontation...
It is with Yann Dedet, the great French film editor known for his work with Truffaut and Pialat that the Belgian Joachim Lafosse has chosen to edit his fifth film, L’Économie du couple (After Love), the chronicle of a divorce and its emotional and economic repercussions on the couple and their children. The film shows that the interaction, sometimes fluid and sometimes tense, between two collaborators depends on an “economy of the couple”, whose intimacy is bared to the outside world when the critical step of a first screening for the producers arrives.
Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.
Marie and Boris decide to get a divorce after 15 years of marriage. Tensions rise when cash-strapped Boris must continue to live with Marie and the two children while trying to figure out how to divide the assets.
At the twilight of their lives, Alice and Jean would have been lovers, parents and grandparents. But if this cycle ends peacefully for Alice, Jean, for his part, experiences the slow loss of his physical and mental means.
Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
An aspiring tennis player is taken under the wing of an established player as his family life falls apart.
The efforts of a Belgian director who has to stick posters of his film everywhere and harass crowds to get people to come and see his film. When it turns out to be a flop, he is jobless and his partner leaves him. An ironic account of rising director Joachim La Fosse’s directing debut.
Since Luc granted a divorce to Pascale ten years ago, he paid generous alimony and left a fine country house as long as their twin sons remain at home. Pascale always acted as if she was the provider and head of the household, even now the inseparable brothers are twenty. But she started a secret affair with Flemish neighbor, cook Jan, whose ambition is to start a restaurant and B&B with her. As the boys learn she wants to cancel her job and sell the house for the project, college-man Thierry, who has a steady girl Anne, naturally refuses to let her spend dad's money meant for them. Gentler François, content to remain a handyman, would consider letting her and maybe working in the 'family business'. This causes trouble, even after Pascale moves out to Gerda's indefinitely, leading to tragedy.
Pascale leaves Jan to start a new life with Didier. Unwillingly, Jan accepts to get a babysitter for their seven year old son, Thomas. She leaves him at his family home where she now has to live with her new partner. But when Pascale comes to love with Didier, Jan is still there and refuses to leave the house and separate herself from her child. Very quickly, conflict explodes and in less than a day, the destiny of each character is turned upside down.
Claire and Pierre's marriage hits the skids after Claire, pregnant with twins, feels that one embryo is crushing the other and decides to abort half the pregnancy.
