Joel Angelino
In an odd destiny coincidence and hospital employee reiceives some important and confident information from a dying old man. He shares it with one friend and both start a crazy and extravangant adventure.
On March 12, 1956, Basque Nationalist Jesús de Galíndez Suarez disappears from his apartment in New York, never heard from again. He had been working with the FBI and was about to publish a book critical of Dominican strongman, Trujillo. In 1988, a graduate student, Muriel Colber, wants to make Galíndez the subject of her dissertation. She's in Spain doing research; finding little, she goes to Santo Domingo. At every turn, the CIA, in the person of agent Robards, tries to thwart her; and, at each turn, as she considers abandoning the project, someone offers new information, often contradictory. She wants the truth behind the Galíndez mystery; will she find it?
The old Spanish filmmaker Luis Buñuel (1900-1983) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-1989) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.
Havana, Cuba, 1979. Flamboyantly gay artist Diego (Jorge Perugorría) attempts to seduce the straight and strait-laced David, an idealistic young communist, and fails dismally. But David conspires to become friends with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two. But can it last? Strawberry and Chocolate became an instant hit when it was released, and has become a classic of Cuban cinema due to its charming and authentic exploration of a connection between two people under historical circumstances that seem levelled against them.
