Joël Barbouth
Marc and Camille live with their little daughter in an isolated house on the Estérel coast. The fish Marc catches in the morning are enough to keep his family fed. In the afternoon, he's a parking lot attendant. The family enjoys a peaceful existence on the fringes of society - until the day that a gendarme decides to put an end to this freedom.
The film follows Etienne, a 40-year-old car designer, who takes time off from work to study sexual mastery from a Zen master and several prostitutes, in the hopes of having the sexual skill to impress Laure. Laure, a blonde who was introduced to him by his friend Jacques, told Etienne on January 1 that she will not have sex with him until May 27 that year at precisely 9 PM.
After being burned in romance just one time too many, Quentin has become a master at amiable, superficial relationships. In fact, most people can't help but like him, as he is clearly a sensitive and thoughtful fellow, in addition to being friendly. He frequently pulls up stakes and moves to a new town when things grow too intimate for his liking. Now he has fallen in love with a single mother who makes settling down look more attractive than wandering on. However, achieving the breakthrough to real intimacy will cost him a good deal of pain.
An adolescent comes of age during a summer in the Rhône valley with his maternal grandparents. Jules seems a little too close to his mother and distant from his father, who wants Jules out of their Parisian house. It's to be a summer of transition, perhaps to a boarding school, and during these weeks in the country, Jules fishes with his grandfather; proves himself to the local youths, a group led by the bullying Red; takes on some tough guys; feels rejected by his mother; and, meets and pursues Evelyne, the village beauty. She's responsive, and Jules doesn't exactly know what to do next. Then, something happens that propels Jules into decisiveness and maturity.
Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Constructed exclusively on photograms in black and white and freely inspired on Jean-Luc Godard's Alphaville.
The veneer of the story is a tale of chance love: two French expatriates strike up a chance romance when they meet on a ship headed back to South America.
The story about gladiators against a German background. One of them, Ettore, has become a star of the underworld. He ends up breaking down, caught in a role he can no longer fulfill. His last betrayal is to spill the beans to the press. –São Paulo International Film Festival
A gang of young tugs led by Frankie, opens a nightclub just in front of a gangster's hideout. Morelli is his name and he prepares the stealing of the century.
A young student visits the home of a friend who has all the good looks, women and luck. Every day, through binoculars from his friend's window, he sees a young girl in front of her home. Although attractive, the woman's face has been badly scarred. He finds out her phone number and the two engage in pleasant conversation. He gets up enough nerve to ask to meet her in person, but the socially inept young man becomes paralyzed with fear. He again summons the courage to meet with her before he is plagued with fear once again.
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
A police officer attempts to shut down an illegal girls-for-drugs operation (American version).
