John Guare
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Maria Irene Fornes is “America's Great Unknown Playwright.” When she stops writing due to dementia, a friendship with a young writer reignites her visionary creative spirit, triggering a film collaboration that picks up where the pen left off.
In this witty drama, the future of art is examined from two vantage points: the years 1699 and 1999. Roland (Dennis Hopper) is an avant-garde artist in Venice, California whose sister, Countess Camilla Volta (Lauren Bacall), lives on their family's estate in Venice, Italy. Their father, The Viscount (John Wood), is near death, and he announces, to the disappointment of both his offspring, that his home and priceless collection of art have been bequeathed to the Italian government.
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking onlookers to wrath and pity; a skittish tourist proves to be her own worst enemy; a newlywed trysts with a mysterious sexpot; a commuter helplessly witnesses a suicide attempt; and, in the most affecting segment, a young woman grieves over her mother's imminent death.
The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.
On the day in 1965 that the Pope visits New York and masses of people line the streets in adulation, Artie, a zookeeper living in Sunnyside, Queens, thinks it's time for his life to be blessed, too. He desperately wants to escape his lower middle-class existence and become a popular singer and songwriter, but his life is complicated by an ambitious mistress, a crazy wife and a bomb-making son.
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone, the parents are now free to rediscover/enjoy life.
