Jörg Pose
After missing four years, the body of a little boy is found in the forest. An unlikely pair of police officers investigate the boy's death.
Just before the fall of the Berlin Wall, the birthday celebrations of an East German family turn into a tragicomical moment of political and personal breakdown.
For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.
Choir director Johanna Bischoff and her girls choir go to a concert in their hometown Hameln. Shortly before the scheduled performance disappear four of the girls and the organist David.Sie were on a hike in a cave of the Ith - the fabled mountain, in which 700 years ago the Pied Piper is said to have led the children. Seeking help, Johanna turns to her ex-boyfriend Jan Faber, head of the police station in Hameln.
The promise of a better life is pivotal in ten-year-old Fee’s decision to travel from her home in Romania to Germany. But she falls victim to child traffickers and is forced to work as a prostitute in a Berlin sex club. She is freed, however, after a police raid. When commissioner Wegemann takes up this serious case of sexual abuse, there’s a shocking discovery: a respected judge is a customer of the crime ring – and the state attorney helping her is a good friend of the judge. Are the police capable of protecting the young girl? Who can be trusted in this quagmire of lies and corruption? This crime drama addresses serious flaws in our society and their weakest victims: children.
Because of shoplifting and property damage Jessie Fischer, a single mother with a rather big mouth, is sentenced to charitable work in a nursing home. There she meets Walter Voss, known as the General. The fate of the grumpy pensioner, who was disenfranchised by his adult children and deported to the home, touches her and she decides to fight for him. But when the general's expensive pocket watch disappears, Jessie, already convicted of theft, is suspected. But the general stops by and they both embark on an adventurous journey to the sea.
Armin Steeb is adrift: just finished with school, living with his middle-class parents, clueless about finding work. He tries connecting with a girl, he engages in risky sex with strangers in public toilets, he goes to job interviews. He also sends an anonymous letter to a local Munich newspaper, claiming responsibility for a fatal road accident. He fitfully pursues notoriety as he goes through life nearly without affect. What will it take to get Armin to smile?
The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).
At the beginning of the 50s, two extremely disparate men meet in a private sanatorium for consumptives: an officer in the People's Police, Josef Heiliger; and a young Protestant curate, Hubertus Koschenz. On account of their consumption, they have to share a room. Initially, this is the only thing they have in common.
