José Luis Alemán

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films. International markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Spanish horror frequented international mimicry —Hammer Productions' Gothic horror is a paramount influence— and offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

7.3/10

An exhausted man walks through the desert. The sun seems to melt the image. The man can barely walk, exhausted, hungry and thirsty. Defeated, he drops down. Between the heat and blazing sun on the horizon in the distance, he catch a glimpse of an hotel

7.3/10

A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.

4.7/10

Luisa Llorente, an expert on taxation of old buildings, had recently gone to the Victorian mansion Valdemar to conduct an inventory of property ownership. After she mysteriously disappeared, Maximilian, president of her company, engaged the services of a private detective to help find her. But soon they will discover that it is not the first disappearance at Valdemar mansion!

5.6/10

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

7.2/10