José Luis Gómez
Among the hodge-podge of Peruvian government officials, there is a man named Constantino Zegarra. He doesn’t fit anywhere and looks down on his colleagues because he has never succumbed to an act of corruption and, every time he has had the opportunity to do so, he has made an effort to impede it. Over his two decades as a government official he has cultivated purity - the fuel for his soul. Now forty, this solitary soldier is a married man and father to a teenage girl who never stops reading and thinks her father is wrong. He doesn’t care what his wife and daughter think. Constantino has taken his principles to the extreme in order to prove to himself that he isnot like his father, a man who ended his days in poverty because of corruption. One morning, Constantino leaves his house and a stray bullet goes through his throat. He doesn’t die but becomes mute. After his recovery, the only thing of which he is certain is that someone from his office tried to kill him.
Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
In the 16th century, the daughter of a Spanish nobleman joins a convent and becomes a spiritual leader.
Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.
What we tend to identify with the acting profession has little to do with what is really this profession. Thirty-six Spanish actors reflect on their work and contrasted their experiences. As thread, the contrast between the voices of veterans and images of young theater students , for whom everything is still possible. Among the many actors are interviewed Javier Bardem, Antonio Banderas, Victoria Abril, Carmen Maura, Fernando Fernán Gómez, José Luis López Vázquez, José Coronado, Emma Suarez, Alberto San Juan, Ariadna Gil, Ana Belén, Pilar Lopez de Ayala and many other.
Tres pescadores barbateños, Manuel (Pablo Carbonell), un hombre bueno al que apodan "Nadando con Chocos"; el Perra (Pedro Reyes), su amigo fiel, y El Cherif (Antonio Dechent), un paria iracundo y orgulloso, intentan sobrevivir como pueden a pesar de la crisis pesquera que vive la costa gaditana.Un día Manolín (Andrés Rivera), el hijo de Manuel, llega a casa con un problema más: quiere hacer la comunión. Algo que provocará más de una sorpresa. Primero porque no está bautizado y segundo porque sus padres ni siquiera están casados. Contagiados por la ilusión de su hijo, María y Manuel deciden ordenar su vida y casarse. María lo organiza todo: arregla con el singular cura del pueblo (Paco Vegara) para que oficie la ceremonia, busca los trajes, invita a los vecinos... Pero claro, no hay boda sin convite. Y eso cuesta dinero. ¿Cómo conseguirlo?
Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a fued involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.
Joaquin comes back to Granada in the eighties trying to find out about something happened when he was a child and the Spanish Civil War was going on. He helped an unknown man who survived after being executed. He finds the man, Galapago, who is now quite old, poor and with almost no memory. Joaquin takes care of him and finds hints that point to Galapago as Federico García Lorca.
Madrid, 1962. More than twenty years after the civil war has finished, a communist comes back to Spain to kill a traitor.
Larger-than-life American author Ernest Hemingway is the subject of this biopic that chronicles the famous writer's life from childhood to his suicide at age 61. Haunted by various inner demons -- including his father's suicide -- Hemingway serves in World War I, marries four times, and finds creative support from Ezra Pound, Gertrude Stein and other expatriates living in 1920s Paris.
Leandro, an unemployed mason and his friend, Tocho, attempt to rob a tobacconist in the Vallecas district of Madrid, but Mrs. Justa, the tobacconist, impedes it alerting the neighbors who notify police. Inside the shop, the confrontation between the two friends and their 'hostages', the tobacconist and her niece Angeles, is relaxing, and a budding sympathy arises between them.
A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.
France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)
A drama teacher casts a woman in a play about torture, and the two eventually become lovers. As production of the play develops, the director begins to receive threatening letters.
A writer loses his beloved, in the hands of another man, wihtout having expressed his feelings to her.
Adapted from a famous novel by Camilo J. Cela. Pascual Duarte, a farmer from Extremadura, killed the dog that accompanied him to hunt a day of tremendous heat. Some time later, he killed the mule kicked his wife to death. Later killed his mother. Finally, he killed the owner of the land where he had grown up. Pascual Duarte was placed on the garrotte.
A wealthy businessman hires a famous filmmaker to help make a smash hit film.
The new film from Argentinian filmmaking duo Mariano Cohn and Gastón Duprat.
