Joseph O'Conor
Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.
It is 1997 and Adrian is now 30 and the Head Chef in a top Soho restaurant. He currently lives in the upstairs room of the restaurant; the rest of his family remain in Ashby-de-la-Zouch. He is estranged from his wife Jo Jo, a Nigerian woman who has returned to her home country following their separation, and they are in the middle of a divorce. The real love of Adrian's life is, as ever, Pandora, who is now standing for Labour MP of Ashby-de-la-Zouch and tipped for power as one of Blair's Babes in the New Labour government that follows.
1931: in Ireland, a film maker hears of an aged ship's carpenter who knows the fate of the Hollandia, a Norse ship that set sail in 1905 and vanished. The old salt has canisters of film to prove his tale. We see the footage as he narrates. They sail south in June, 1905, with scores of Siberian huskies aboard, meeting no living soul, the crew ignorant of the trip's purpose, until they reach Antarctica. A mysterious Italian paces the deck; a polar bear appears, and the Italian, possessed, hunts it down. That night, the boatswain explains to the crew how an Arctic bear could be at the South Pole and why the Hollandia has come. Visitors arrive, and the Gothic tale plays out.
On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal and restore order to his world, before the grotesque race of Skeksis find and use the crystal for evil.
Against the sumptuous background of Peterborough Cathedral and its environs, one is carried into Trollope's world of the intriguing machinations of the clerical establishment of Barchester. Backed by the authenticity of the period detail, the portrayal of all the characters accurately conveys the whole range of human emotions within the stories.
Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.
A young woman appears to possess telekinetic powers - or do they derive from the house she lives in?
Two households, both alike in dignity, in fair Verona where we lay our scene, from ancient grudge break to new mutiny where civil blood makes civil hands unclean. From forth the fatal loins of these two foes a pair of star-cross'd lovers take their life whose misadventur'd piteous overthrows doth with their death bury their parents' strife.
A British agent's son is kidnapped and held for a ransom of diamonds. The agent finds out that he can't even count on the people he thought were on his side to help him, so he decides to track down the kidnappers himself.
While investigating a murder case, a detective stumbles upon a rare-stamp swindle involving the victim's twin sister.
A young orphan, Stephen, is sent to go and live with his strange, much older cousin at his remote country house. Once there, Stephen experiences terrible dreams in which he sees a young girl and boy who are missing their hearts.
Henry VIII of England discards one wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.
Attempting to evade the turmoil of France's Hundred Years' War, Parisian student Heron of Foix decides to journey to the sea. En route, he meets the pretty aristocrat Lady Claudia, and the couple begin a romance amid the intense conflict. As the struggle between peasants and noblemen rages on, Heron and Claudia take shelter at a monastery -- but even their newfound love can't completely keep the horrors of war at bay.
The Forsyte Saga is a 1967 BBC television adaptation of John Galsworthy's series of The Forsyte Saga novels, and its sequel trilogy A Modern Comedy. The series follows the fortunes of the upper middle class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was adapted for television and produced by Donald Wilson and was originally shown in twenty-six episodes on Saturday evenings between 7 January and 1 July 1967 on BBC2, at a time when only a small proportion of the population had television sets able to receive this channel. It was therefore the repeat on Sunday evenings on BBC1 starting on 8 September 1968 that secured the programme's success with 18 million tuning in for the final episode in 1969. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union.
Early adaption of Orwell's Nineteen Eighty-Four as part of the Theatre 625 series.
A pirate ship, fighting in 1588 on the side of the Spanish Armada, suffers damage and must put into a village on the British coast for repairs. The village is small and isolated and the Spanish convince the villagers that the English fleet has been defeated and that they, the Spanish, are now their masters. This results in the villagers' sullen cooperation, but rumors and unrest begin to spread and soon the Spanish pirates find themselves facing a revolt.
In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.
Having pulled off the smallest ever train robbery, Little Walter and his crew decide to get out of London. The six of them set up business in a disused monastery off the Cornish coast, despite the fact that none of them really qualifies as a monk - least of all Walter's moll Bikini. Bit by bit, the quiet way of life starts becoming a habit.
When an undersea volcano sends tremors throughout the Atlantic, aquatic creatures come out of hiding. Merchant seamen Joe Ryan and partner Sam Slade harness the most unusual of the lot, a massive beast that looks like a Tyrannosaurus Rex. The enterprising sailors deliver their quarry to a British circus, but it turns out that the animal is a newborn. And, when his much larger mother arrives in London to rescue her son, the city feels her wrath.
A husband-and-wife detective team look into the murder of one of her friends, whose father--a prominent scientist--has been kidnapped. They find themselves up against a sinister crime organization headed by a mysterious figure known only as "Z".
