Josh Safdie
Coltdogster rises to the top of the Twitter underworld to become the boss of the Fact Account family. His life takes a tumultuous turn as he faces tragedy, multiple trials and a prison sentence.
New York City natives and rap personalities Alec “Despot” Reinstein, Ashok “Dap” Kondabolu and Aleksey “Lakutis” Weintraub invite their friends to join them at the edge of nature to commune in deserts and swamps in a valiant effort to reveal unknowable truths from the dreamstate of the shared human existence.
Alongside filmmaker Josh Safdie, composer Daniel Lopatin sat down with us to detail the creative discoveries behind his synth packed score for Uncut Gems. In this exclusive documentary, Lopatin highlights the soundtrack's extensive use of Moog One and how he used the instrument to craft the film's most dramatic moments.
A behind the scenes look at Uncut Gems (2019) by the Safdie Brothers with interviews from the cast and more.
Rod Goldman and Al Silverman are street performers who work the tourist scene of Times Square. Goldman gets no respect and Silverman is the first one to make sure of that.
A charismatic New York City jeweler always on the lookout for the next big score makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides in his relentless pursuit of the ultimate win.
Frictions develop when Yisroel "Izzy" Jonigkeyt, a Chassidic Jew from Crown Heights, travels to San Francisco to visit Polish-born Catholic friend Marek Wisniewski with the intent of discovering why a Bay Area art-world iconoclast named Harry Kierk seeks to destroy a lifetime's worth of his own work. As the visit progresses, Izzy and Marek discover for the first time that complex historical baggage impinges on their curious friendship and, soon, they begin to understand why Kierk is driven towards destruction. Continued encounters with Marek's vaguely anti-Semitic cousin Irek (who is their only gateway to contact Kierk) only compound these tensions.
'The Pure and the Damned' music video by Oneohtrix Point Never ft. Iggy Pop from the official soundtrack of Good Time, including unused scenes of a 'what if' ending if Connie and Nick successfully completed the heist.
Oneohtrix Point Never’s ‘The Pure and the Damned’ music video from the soundtrack of Good Time (2017) featuring Iggy Pop.
Get to know the siblings whose films have captured the skittering pulse of New York’s city streets. An original documentary featuring footage from the making of their new thriller, Good Time, along with several of the brothers’ early features and shorts.
A look inside the making of the feature Good Time with behind the scenes footage and cast and crew commentary.
A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.
Betting, boxing, and boozing: this is the weird, true story of the time Norman Mailer confronted James Toback to argue about the difference between bourbon and scotch, setting off a years-long rivalry that climaxed in a stare-down during a tense Jets vs. Browns game and a couple well-placed stomach punches. In this short, Toback recounts the tale of his of his encounters with one of America's all-time great writers.
Sasha, a French woman of thirty, dies suddenly in Berlin. Her Fiancé, Lawrence, and her sister Zoé, must come to terms as the consequences of this shock set in.
A young heroin addict roams the streets of New York to panhandle and get her next fix, while her unstable boyfriend drifts in and out of her life at random.
The story behind the acclaimed film, "Heaven Knows What," directed by Josh and Benny Safdie, and inspired by the life of Arielle Holmes. "This behind the scenes look at the film features revealing interviews with Arielle, the Safdies and most heartbreaking footage of the real Ilya on set during the shoot. This is a must watch." - Ion Cinema
When autistic teen Ricky is scolded for skipping class, he escapes into the subway for a days-long odyssey among the subway’s disparate denizens. Meanwhile, his mother wages an escalating search effort above ground. Based on a true story and set in Far Rockaway, Queens, in the days leading up to Hurricane Sandy, these parallel stories of mother and son take the viewer on a touching journey of community and connection in and below New York City.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
In 2001, Lenny Cooke was the most hyped high school basketball player in the country, ranked above future greats LeBron James, Amar’e Stoudemire and Carmelo Anthony. A decade later, Lenny has never played a minute in the NBA. In this quintessentially American documentary, filmmaking brothers Joshua and Benny Safdie track the unfulfilled destiny of a man for whom superstardom was only just out of reach.
Aspiring but less than ambitious photographer Nate clumsily navigates the New York City art world in a post-grad haze, waiting for his breakthrough project to fall into his lap. During a drug-fueled wormhole through the annals of YouTube, Nate discovers his next subjects when an arbitrary click lands him on a crude music video by the Young Torture Killaz—an Insane Clown Posse knock-off group of jaded Delaware teens with a lot to scream about—and the inspiration (and exploitation) flows
A young woman invites a vagabond to stay the night at her house but her feelings of insecurity threaten to overshadow the visit.
Jacques Cousteau's investigation on fighting sea elephants and the losers who roam an island.
Trophy Hunter, a short, fake documentary about illegal wildlife trade that Josh and Benny made for the Turtle Conservancy in 2012. It features the late great New York icon Glenn O’Brien visiting an eccentric Chinese collector.
SOLID GOLD is an experiment in street performance and how to be seen. It's about a Golden Man in the streets and subways of New York, who tries and that's all that matters.
While trying to move 40 kids six New York City blocks all by himself, a stressed man accidentally loses a bouquet of a hundred balloons. In that bouquet, a lone black balloon scurries free from the rest. It dies and comes back to life, returning to the city, cruising for a companion. On its beat, it learns that humans are complicated creatures with extreme highs and lows, but full of life nonetheless. A film intended to be for children that turned into a sci-fi urban fable, this is the story of The Black Balloon.
Hustle, hustle, hustle... hard. These two got a cold hustle going on in downtown Seattle. Commissioned and produced by the Northwest Film Forum for their One-Shot program.
John's Gone is a fever dream comedy about John's World soon after his mother passes away. He sells things online, cheats off dollar stores, needs friends but settles for strangers, has roaches, and is prematurely thrust into the cruel wasteland that is the world around him. He is surrounded by people who don't speak his language, junk he piles up in his apartment filled with cultural beacons he ignores with idea of a potential sale. He is punch drunk (not with love) but something far more strange and lost. One can only say John's Gone. Written by Josh and benny Safdie
After months of living a solitary existence, Lenny, 34, picks up his kids from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny hosts his kids within a midtown studio apartment in New York City. During these two weeks, he must figure out if he wants to act as their father or be their friend. Ultimately, their trip upstate results in complete lawlessness taking over their lives.
The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.
A curious and lost Eleonore looks for something everywhere, even in the bags of strangers who find themselves sadly smiling only well after she's left their lives. They owe her their thanks.
The Safdie brothers repurpose reality television’s vocabulary of confrontation and cramped cinematography for a miniature study of urban maladies.
A lawyer and his secretary deal with their multiple clients.
John embarks on a trip to Coney Island for a day of fun and happiness. Things don't quite work out as planned.
Josh Safdie made this assured comedy in and around his apartment building when he was still a film student at Boston University. The dioramic setup plays like a vertical REAR WINDOW: a shy daydreamer (played by Safdie) lives above an older Hindi man who lives above a reckless Brit who lives above a girl stuck in a bad relationship. The boy two floors up can only see the back of the girl’s head but that’s enough for a crush to develop. Safdie makes the most out of the single location, deploying dynamic camera angles, wry slapstick and even a couple of crane shots for a whimsical picture of city living.
A woman's car breaks down at a house in the woods. She looks out the window to see a variety of bizarre activities.
This is a story about a real life brother and sister and their journey to the zoo. On their way, they accidentally pick up a hitchhiker.
Benny Safdie’s deadpan spoof of stand-up comedy and staged cinéma verité verges on performance art. His Ralph Handel is a humorless white-collar worker who unaccountably spends his nights working the open mic circuit. Safdie bravely committed himself to actual nightclubs for several of these abysmal routines, lending a curious note of authenticity to the counterfeit documentary.
A man lives in a bathtub. He goes out for the day, then returns.
