Joy Richardson
Anthony Bryan and his personal struggle to be accepted as a British Citizen during the Windrush immigration scandal.
After the sudden death of ex-Secret Intelligence Service man Alexander, his wife Alison investigates when mysteries from her husband's past come knocking.
In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.
The Playhouse 90 teleplay of “Alas, Babylon” unflinchingly portrays the tragic aftermath of a major nuclear conflict with the U.S.S.R, including scenes featuring a child being rendered blind from a violent bomb flash and a character severely disfigured by radiation burns. Narrated in flashback with solemn resignation by noir veteran Dana Andrews, who announces in the play’s first lines that he is already dead (à la Sunset Boulevard), the controversial drama was both lauded and criticized for its grim, daringly honest exploration of a scenario in which “92 percent of the world’s people were killed.”
Esi is a 25 year old, queer, biracial woman. Growing up in a conservative town in Missouri with immigrant parents, her sexuality and desire to be a photographer have become laced with shame and guilt. Six months after moving to LA, we find Esi isolated and disconnected from world around her. After another day of feeling invisible as a PA, Esi stumbles upon a vivid house party of QTPOC (queer and trans people of color). For the first time in her life, Esi is welcomed into a community where she can let down her walls, let go of societal and family pressures and begin to embrace her true self.
