Joyraj Bhattacharya
'No Refusal' is based on a story of a taxi driver Manoj whose experiences and struggles are shared by thousands of immigrant Bihari workers who come to larger cities to try and earn a living. One day Manoj becomes involved in an accident that is followed by a series of events that change his life forever
Dig in the mystery of Taranath Tantrik as you experience the other-world with him. Directed by Q, the web-series promises horror like never before.
Strange incidents occur in the heart of Shonajhuri forest in rural Bengal (the backdrop for both stories) which develops an ominous character of its own that allures and finally engulfs our protagonists.
A pack of Calcutta youth seek greater lust and life in their relentless pursuit of Brown Sugar (dirty heroin)... and it’s unsustainable high.
Dig in the mystery of Taranath Tantrik as you experience the other-world with him. Directed by Q, the web-series promises horror like never before.
Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last... until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.
On a lunar eclipse midnight, in a desolate temple, six young newlywed couples and a priestess meet after a mass wedding. They sit in a circle and talk. This their last conversation - an exchange about life, death, beginning, end and every thing in between.
Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.
