Juan Antonio Quintana
A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.
Madrid, 1993. Two old friends down on their luck kidnap a college girl and demand ransom from her family.
Once I saw a documentary in which people spoke of what happens to you just before he died: they say that when you receive when you feel that your life passes before your eyes at full speed. This is what happened to me, because the buttons.
Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…
Palencia, Spain, late 1990s. While Gema and Toribio, who live in their own cloud of precarious happiness, always smile stupidly as if they have to apologize for something they have not actually done, their little son Martín suffers, every day at school, an unbearable ordeal, tragic but also comical, that they, a peer of daydreaming simpletons, are unaware of.
