Juan Carlos Galván
Refused to face his adulthood, a Casanova must deal with the fact that he has a young pregnant daughter from an earlier relationship.
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades…
Love and morality collide in a small Argentinean town when teenage Marianito (Federico Canepa) falls in love with Chiche (Andrea Galante), who's 10 years his senior. When she becomes pregnant, the two decide to make a life together despite hostility from family and friends. But can love survive in the face of so much opposition? Written and directed by Fernando Musa, this intense character study co-stars Ingrid Pelicori and Enrique Liporace.
An ancient Mexican singer and a student of musical anthropology have an affair in a story linked to the search for a valuable precious stone
A street vendor and an unemployed person start working in a drug trafficking company.
Venus perseguida is a film shot in black and white co-production of Argentina and Uruguay directed by Aldo Brunelli Ventura according to his own script that was produced in 1964 but just premiered on April 2, 1973 and had as protagonists Vera Váldor, Juan Carlos Galván, Lalo Hartich and Jesús Pampín. It was the first film that was unanimously received the rating "B" by the National Film Institute leaving it out of the obligation of its release. It was not until 1973 that he had a short period of exhibition in a neighborhood room.
The 1971 Film about the mysterious Argentine hero Santos Vega, popularized by the writers Bartolomé Miter, Hilario Ascasubi and Eduardo Gutiérrez.
The story takes place in San Antonio de Areco, in the Argentine pampas. Fabio Cáceres remembers his childhood as an orphan and his youth working in the fields, alongside his godfather, Don Segundo Sombra, a lonely gaucho whom he admires and from whom he will learn to be a gaucho, following him in all his adventures. Don Segundo will be Fabio's role model.
During a local festival, a mysterious stranger appears in town, heading towards a violent confrontation.
This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.
