Juan Ignacio Aranda
The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.
The final years of Jose Maria Morelos y Pavon (1812-1815), leader in the Mexican war for independence who, after outsmarting Calleja´s blocade in Cuautla, reorganized his troops and took the city of Oaxaca. However, with more than half the territory of Mexico in his hands, Morelos was determined to take the port of Acapulco while the royalist troops gained ground. It shows the relationship of Morelos with his lieutenants, his efforts to create institutions of his own and a disciplined army to confront the royalist troops. The film captures the two inseparable facets of the life of this Mexican hero: his contradictions and his passions.
In 1824, John McGee, an English adventurer, arrived in the Soconusco area of Chiapas with his young wife. There, they sought to fulfill their dream of prosperity and become the first producers of coffee. Upon reaching Chiapas, they discovered that the state had seceded from the rule of Guatemala, plunging into an interim and anarchic government that lasted for 18 years. During this time, John saw his dream frustrated and was forced to seek refuge at his own farm under the protection of the clergy. The dowry of his daughter Isabel becomes his last chance to make his dream come true, as he negotiates with Geronimo and Julian, sellers of coffee plants and slaves, respectively. In the midst of the beauty and hostility of the jungle, a story of love and betrayal emerges, framing the arrival of coffee to Chiapas.
Porque el Amor Manda is a 2012 Mexican telenovela produced by Juan Osorio for Televisa. It is a remake of the Colombian telenovela El secretario, produced by Juan Andrés Flórez in 2011. Fernando Colunga and Blanca Soto star as the protagonists Claudia Álvarez stars as the antagonist.
Hidalgo, en su celda del Hospital Militar de Chihuahua, recuerda algunos pasajes de su vida, principalmente su estancia como párroco en San Felipe Torres Mochas; donde se relacionó con las clases bajas y nació la idea emancipadora, tradujo y montó al Tartufo de Molière, se enamoró de Josefa Quintana y se alejó por algún tiempo de la vida eclesiástica.
The young Father Amaro is put to the test. He is sent to Mexico to help take care of aging Father Benito when he meets a 16-year-old girl that he begins and affair with. It turns out the girls mother had been having an affair with Father Benito. Father Amaro must soon choose between the holy or the sinful life.
On his seventeenth birthday, Michael is given a present of a Ouija board by Tony his best friend. At a session, Tony using a medium known to him only as "Virgil", unwittingly unlocks the evil forces of the board. Soon there is a wave of violent killings and the chief suspect appears to be Michael. He has been witness to all the killings via premonitions and out of body experiences. Is Michael the killer? Can he prove his innocence or is someone else being possessed by the evil spirit…?
